Tilted Axes: Music for Mobile Electric Guitars’
TILT CORE ~ THE SOUND OF BURNING CHAIRS
A Preview Performance of New Material
Wednesday, December 17th at 10:00 PM
Carta Azul Taqueria & Ceviche Bar
103 W 14th Street, New York City
Performers: Patrick Grant, Dan Cooper, Matt Grossman, John Halo, Randolph Hudson III, Jeremy Nesse, Cesare Papetti, Reinaldo Perez, & Daniel Reyes-Llinas
Tilted Axes: Music for Mobile Electric Guitars was created in 2011 by composer/performer Patrick Grant for Make Music New York’s inaugural Make Music Winter solstice event. Since then, Tilted Axes has evolved as a project with multiple incarnations in New York, Detroit, and Düsseldorf, Germany. In 2015 the project will manifest itself in performances created in the USA, Europe, and South America.
After performing three years in a row for the December 21st Make Music Winter events, a conscious decision was made to sit this one out in order to prepare for the work ahead in 2015. We will be back!
TILT CORE, in its original intention, is an ensemble drawn from the larger group of performers as a means to explore and experiment with new material without the constraint of an immediate public performance. Its roster can, and should, change seasonally. Tilt Core’s smaller size comes from the concept of “the magic number seven plus or minus two” a.k.a. Miller’s Law, the number of objects an average human can hold in working memory. This smaller size, 5-9 members, enhances Tilt Core’s musical and practical possibilities. Outside of the larger Tilted Axes projects, Tilt Core will be a more agile and easily presentable ensemble.
Why this performance then, if performing was never an intention? It is a preview through which all of the standard criteria of an official performance will apply. In whatever city Tilted Axes performs, we discover a local establishment where we can eat, drink, and hold our post-rehearsal discussions. “Where Tilted Axes Relaxes” is how it’s come to be known. In the case of Tilt Core, it’s been Carta Azul Taqueria & Ceviche Bar, directly across the street from the Alchemical Theater Laboratory where Tilt Core rehearses. The owners of Carta Azul, having gotten to know us well over the past couple of months, generously offered us their place to have an informal performance. In other words: it came to us. This performance will bring to completion this phase of Tilt Core 1.0. The project’s 2.0 incarnation will begin early next year.
So here we are, ready to rise to this performance challenge. If you are free, please join us and get a taste of everything Tilted that’s in store for the New Year.
TILTED AXES: DÜSSELDORF
Musik für mobile E-Gitarren
Prozess & Prozession
Anlässlich des 15. Jubiläums des FFT
09. -13. September 2014
IN THE PRESS
Coolibri Review – http://tinyurl.com/qa4eqll
Die Welt – http://tinyurl.com/ogoc8t9
German Interview – http://tinyurl.com/neauabo
English Interview - http://tinyurl.com/q4gusf3
More to come…
TILTED AXES: DÜSSELDORF
Ein Ensemble aus E-Gitarren, ausgestattet mit tragbaren Verstärkern und von Schlaginstrumenten begleitet, zieht durch die Düsseldorfer Innenstadt. Nach „Tilted Axes“- Ausgaben in New York City und Detroit realisiert der Komponist und Musiker Patrick Grant sein Projekt auf Einladung des FFT mit hiesigen Musikern. Anlässlich des 15. FFT- Geburtstages verbindet Grant die beiden Spielstätten FFT Kammerspiele und FFT Juta mit einer musikalischen Prozession im öffentlichen Raum: eine einzigartige Kombination aus Theatermusik, Straßenperformance und zeitgenössischer neuer Musik. Jeder ist eingeladen, Teil des Festzugs zu werden – ob als Musiker, als Zuschauer oder als Passant!
Patrick Grant lebt als Komponist und Musiker in New York City. Seine Arbeiten verbinden Elemente von klassischer, populärer und Welt-Musik und kommen in Konzerthallen ebenso wie in Film, Theater, Tanz und Medien zur Aufführung. Er schrieb Musik für viele bekannte Künstler und Institutionen, darunter Robert Wilson, The Living Theatre, der Louvre und das Musée du Quai Branly in Paris. In den zurückliegenden drei Jahrzehnten bewegte sich seine Musik von Post-Punk und Post-Minimalismus, über balinesisch-inspiriertes Gamelan, Mikrotonalität und Ambient hin zu elektronischen Soundscapes, die viele Schichten von akustischen und verstärkten Instrumenten beinhalten. Patrick Grant hat den International Strange Music Day (24. August) erfunden und versteht sich als Pionier der E-Gitarren-Prozession.
Patrick Grant (Tilted Axes creator & electric guitar) is a composer and performer living in New York City. His musical works are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media. He has created music for many well-known artists and institutions, e.g. for Robert Wilson, the Living Theatre, the Louvre, and the Musée du Quai Branly in Paris. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and amplified instruments. He is the creator of International Strange Music Day (August 24) and the pioneer of the electric guitar procession.
John Hicks (electric guitar & production assistant) leads the Epicycle guitar project in Paris and performs frequently with the Guitar Circle of Europe and The Orchestra of Crafty Guitarists. Earlier days saw him playing rockabilly in Blacksburg, VA and ambient music in Edinburgh, Scotland. Since 1994 he has been processing with Samba Baterias in Edinburgh, London, Paris, New York and Hong Kong, playing percussion, cavaquinho, and recently as puxador (vocalist). With both the London School of Samba and Mistura Fina (Paris) he advances the unlikely aim of shifting 7-string classical guitar parts onto a 6-string electric.
Rodrigo Marçal (percussion & production assistant) is a music producer based in Rio de Janeiro. His work is mainly focused on film, broadcast, and scores for the stage. He collaborates with many contemporary theatre companies in Brazil. Among his latest works, the soundtracks for Luiz Rosenberg Filho’s feature film Dois Casamentos and Compania Urbana de Dança’s dance piece I. You. We… All Black!
Christoph Götzen (electric guitar) “Ich bin 17 Jahre alt und zurzeit angehender Abiturient in Düsseldorf spiele seit 5 Jahren Gitarre, komponiere eigene Songs und wirke in verschiedenen Pop/Rock Bands sowie kleineren Musikalischen Projekten (zB Duos, git + voc) mit. Darüber hinaus unterstütze ich eine Düsseldorfer Realschule als Dozent bei ihrem jährlich stattfindenden Chor und Band Workshop zur Vorbereitung ihrer Konzerte und unterrichte Anfänger auf Basis meiner musikalischen Erfahrungen. Selber unterrichtet werde ich vom Berufs Musiker Vincent ‘Themba’ Goritzki, welcher primär als Jazz Musiker und Produzent im Großraum Düsseldorf/Köln aktiv ist. Zurzeit spiele ich in der Pop/Rock Band ‘Peek’ und arbeite mit der Sängerin an einer Acoustic CD.“
Thomas Gurke (electric guitar) is a guitarist from Duesseldorf who plays in the rock band Headfuse as well as traditional Irish folk bands such as Drowsy Maggie and TRiSIT. He is also the co-founder of the annual Folkerdey-Festival in Ratingen which will commence on August 30th 2014 for the eighth time.
Flo Jäger (electric guitar) has been playing in bands since the age of 15. He started out in Calmbach in the Black Forest to sing in the crossover-band Suckaz.Maybe. Later on he fronted the Karlsruhe based Last Train To Cool. At the moment he’s singing for a Düsseldorf Punkrock-Band called Dog Jackson. He performed the Ramones song “The KKK Took My Baby Away” with a Guitalele in the movie Für den unbekannten Hund while being tattooed by Ferris MC. About his guitar playing, he says that he’s more Malcolm than Angus Young, meaning that he prefers power chords over solos. Ironically, Florian plays Angus’ guitar, a red SG copy by Epiphone.
Stephan Kivel (electric guitar) “A week ago I walked onto a theatre stage, back-packed an electric guitar, and inside me a doubtful mind, thinking about my own skills and health. And of course the question: What is the big idea? And today I sit here and can hardly believe that I really was part of this Big Idea. I not only had the pleasure to play with all of you and to contribute, furthermore, I was part of the energy what makes an idea big: To make it alive, go out, and show it. Thank you all for your talents and group-power and thank you Patrick, for stepping into town and to share your idea, your music, this wonderful evenings and the bright Saturday with us. Not only we rocked the town, the big idea rocked me too: It made my life bigger.”
Alexander Kupsch (electric guitar) (26) finds inspiration and passion in music and theater. Alex acts in the theater ensembles of only connect! and groundzero performance under the direction of Julie Stearns from Cleveland, Ohio and plays guitar for the metalcore formation Heaven’s Breakdown from Viersen, Germany. His original compositions for theater and band projects are influenced by fingerstyle-guitar and percussive guitar approaches, delay and ambient spheres as well as straight-forward pop and metal/hardcore music.
LauraL aka Laura Leiner (electric guitar) is a guitarist, composer, self-taught searcher of dramaturgy and since 2004 plays in the band M.i.p.V _ Músicas intermináveis para Viagem (“Endless Music For Tripping”). She is an artist and researcher with a multi-disciplinary background encompassing music, theatre, dance, performing arts, photography, video, physics, chemistry and communication-journalism. Laura was born in Brazil (Porto Alegre), where she studied Music, Theater and Social Communication and participated of a several projects as composer, musician or performer. Since 2009 she lives in Berlin, where she does often solo-concerts or projects with another artists and her band released its second album M.i.p.V II (2011/12-Solaris Empire/Broken Silence). Among others projects, which have the goal to explore public spaces, she develops a work with the concept of scenario/ambient for a concert, using interactive videos and distorted urban sounds.
Shunsuke Oshio (electric guitar) was born and raised in Osaka, Japan. From childhood he played various instruments such as piano, flute, guitar, and bass guitar. When he was at college, he had sitar lessons for 3 years. From this experience of Indian music, it gave him an opportunity to create his guitar sound like a drone and atmospheric ambient styles by use of many effects units. In 2008 he moved to Duesseldorf (Germany) and started his musical career. Since 2011 has been performing as a guitarist in his own band AI and working as a composer for theater, dance, and installations for many artists.
Markus Saxen (electric guitar) Seit 40 Jahren Gitarre. Straßenmusiker. Psychologie. Ruhrgebietskind durch und durch. Seit langer Zeit akustik-lastiger Jazz und Blues mit „Lieder für Herrn Paul“.
Torsten Thum (electric guitar): “Ich komme aus Düsseldorf und habe mit etwa 14 Jahren begonnen Gitarre zu spielen. Während der Schulzeit habe ich in diversen Schülerbands gespielt. Später habe ich wegen Job und Familie hauptsächlich für mich selbst musiziert. Seit der Zeit bin ich noch als DJ tätig. Vor etwa 7 Jahren habe ich dann wieder angefangen in Band’s zu spielen. Zur Zeit spiele ich in einer Rock Coverband aus Zons.“
Martin Zimny (electric guitar) studiert derzeit in Düsseldorf Master of Music mit dem Hauptfach Konzertgitarre. Er gewann Preise in mehrere nationalen und internationalen Wettbewerben und spielte über 50 Konzerte in ganz Europa. Seit 2010 ist Martin Zimny Stipendiat des Yehudi-Menuhing-Verbandes, seit 2013 ist er Stipendiat des Richard-Wagner-Verbandes und erhielt 2013 das Promos-Stipendium, welches ihm eine Konzertreise nach Indien ermöglichte. Neben der klassischen Gitarre studiert Martin Zimny auch Musikwissenschaft und Alte Musik und spielt in mehreren kammermusikalischen Ensembles. Er wirkte in der Deutschen Oper am Rhein als Generalbaß-Spieler mit und beschäftigt sich außerhalb seiner Studien mit Musik- und Videoproduktion.
Tilt Manager Karen Boesser & snare drummer Jan Schrodter
PREVIOUS TILTED AXES EVENTS
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International sTRANGE mUSIC Day 2014 Performance Soiree
Sunday, August 24th @ SPECTRUM, 121 Ludlow St., NYC
Tickets $15 – Doors open at 6:30 pm with trouble to begin at 7:00 pm
PDF Press Release
NEWSFLASH: All attendees of the INTERNATIONAL STRANGE MUSIC DAY performance at Spectrum NYC on Aug. 24th are eligible to enter our FREE raffle. The Grand Prize? A single ticket to the KING CRIMSON concert on Sept. 21st in NYC, Orchestra Center, Row GG, Seat 101. Why only one ticket? Out of sympathy for the poor date that always gets dragged along. We’re showing some mercy.
AUGUST 24th is International sTRANGE mUSIC Day. It’s a real holiday, yes it is. To celebrate, some of the NYC area’s best and brightest composers and performers are getting together to have a very unserious session of music making. This as an opportunity to for them to share unusual sounds, unusual instrumentation, and unusual compositions rarely heard or new ones that will never be heard from again.
For the 2014 celebration, creator Patrick Grant/Peppergreen Media partners up once again with NYC’s Lower East Side high-tech chamber-salon Spectrum NYC where the 2012 event was held. This is the perfect venue for such an event since its capabilities will enable strange musicians and performers of all stripes to push the envelope into uncharted territory.
Celebration in São Paulo: Making this a truly international event, there will be a Strange Music Day sister spectacle taking place at exactly the same time at the Paco Das Artes in São Paulo, Brazil presented by the Orchestra Descarrego. More iNFO via their Facebook event page HERE.
A SPLENDID ORCHESTRA
is in town, but has not been engaged
were in contemplation for this occasion, but the idea has been abandoned
A GRAND TORCHLIGHT PROCESSION
may be expected; in fact, the public are privileged to expect whatever they please.
NYC PERFORMERS TO INCLUDE…
Cristian Amigo & Angela Babin
Guitarists Angela Babin and Cristian Amigo perform Empty Form Duo #5, a piece based on the non-dualistic idea of form/emptiness. Babin was a founding mother of the band The Ordinaires who received critical acclaim in the 80s in the Downtown NY music scene. She met Amigo (Guggenheim Fellow, guitarist, and songwriter) while playing Elliott Sharp’s Syndakit. During an extended wait for the subway they formed their collaboration for the Gotham Roots Orchestra via a mutual appreciation for the blues. They will keep it sTRANGE.
Violinist/composer Lynn Bechtold has appeared in recital throughout NA and Europe, and has premiered works by composers including Gloria Coates, George Crumb, John Harbison, Alvin Lucier, and Morton Subotnick. She is a member of groups including Zentripetal Duo, Bleecker StQ, Miolina, and SEM, and her performances have been broadcast on various TV/radio, including WNYC, 30 Rock, CBS Morning Show, and Good Day NY. She has appeared at venues from Lincoln Center and Carnegie Hall to LPR and Joe’s Pub. Her electroacoustic compositions have been performed on festivals such as the Composers Concordance Festival and Kathleen Supove’s Music With A View.
Jason Belcher is a composer & multi-instrumentalist who studied at the New England Conservatory in Boston. He led several performance projects as a student, including a revival of music by Burr Van Nostrand, a composer whose most adventurous scores went unheard for 42 years. As a result of this project, a disc of Burr’s work was released by New World Records in 2013. Belcher currently lives and works in New York, where he is active in projects with other young improvisers.
Chime’s Swing Number 89, inspired by a set of chimes given to Tom Burnett in 1989 by the late performer and artist Winchester Chimes, is part of a continuing series of performances dating back to 1989. This performance is coincidentally the eight-ninth. Other venues have included the Bardavon Theatre, Joe’s Pub, the Kitchen, the occasional rock quarry, church, and the Canal Street subway station.
Ken Butler is an artist and musician whose Hybrid musical instruments, performances, and installations explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. He has performed and exhibited throughout the USA, Canada, and Europe including The Stedelijk Museum, The Prada Foundation in Venice, Mass MoCA, The Kitchen, The Brooklyn Museum, The Queens Museum, Lincoln Center, and The Metropolitan Museum as well as in South America and Asia. Butler has been reviewed in The NY Times, The Village Voice, Artforum, Smithsonian, and Sculpture Magazine and has been featured on PBS, CNN, MTV, and NBC’s The Tonight Show.
Constance Cooper improvises instrumentally and vocally, in concert —today, Solo With Stadium Blanket — and for theater, using two keyboards tuned a quartertone apart. She belongs to ArtStar, which includes live painting and audience drawing, and to the women’s a cappella acoustic trio Arc Welding. Some years ago she designed an improvisation work for the cellist Ernst Reijseger, who began the performance, then stood up, walked around while playing, and then deliberately got entangled with the branches of a large potted plant. He later said that he had always wanted to be a tree.
Glenn Cornett runs Spectrum NYC, the performance venue/gallery on Manhattan’s Lower East Side that supports innovation and virtuosity in the arts. He is a composer/performer, playing guitar, keyboards, electronics, etc. Founder of two biotechnology companies – Pastorus (autism, other CNS disorders) and Navitas (cardiovascular, metabolic diseases). He has worked at McKinsey and Eli Lilly. Education: MD with Distinction in Research from the University of Michigan; PhD in neuroscience from UCLA, dissertation on human deep-brain responses to musical stimuli. He has a black belt in karate and has run nine marathons, including Istanbul in November 2013.
GangBhang is a collective of inattentive plus ultra performers from different “walks” of life that include secular and non-secular attitudes and fashions. This time presents a very exciting, but hopefully boring, performance with the very devices that (usually) break our connection with the real world. The performers are Balldie on iPhone, Mojas on Maschine, and Preachermac on iPad.
portrait by Ted Berkowitz
Patrick Grant creates musical works that are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and amplified instruments. He is the creator of International Strange Music Day (August 24) and the creator/pioneer of the electric guitar procession Tilted Axes.
Amy & Alex Hamlin
Amy & Alex Hamlin are a husband and wife team who enjoy their cats, Walter & Boris, their garden, & traveling to exotic places. They are the founders of the 7-piece soul/rock band Amy Lynn & The Gunshow. The duo is enjoying experimenting more with voice and baritone sax with the music from The Gunshow. Together and apart they have played all over the country with acts such as Yo La Tengo, St. Vincent, Beth Hart, Duffy, The National, Spoon, and Red Barrat.
Niloufar Nourbakhsh started learning piano at the age of nine at Sarang Institute of Music located in Karaj, Iran. At the age of fifteen, she won the 2nd Prize of Iran’s National Piano Biennale Competition and performed at Tehran’s Roudaki Concert Hall twice as a participant of The Music Festival from Classical to Modern. She is a music and math graduate of Goucher College and Oxford University. She has participated in numerous music festivals as a pianist and a composer such as New Paltz Piano Summer, Atlantic Music Festival, and the Rhymes with Opera Workshop. She is currently working at Brooklyn Music School Summer Institute as a teaching artist.
Lorin Roser is a multimedia artist fascinated with the expression of mathematics. He utilizes algorithms in his musical compositions and physical simulations in his 3D animations. Recent music is created with realtime manipulation of polynomials. This work began in the 80s and was ported to Reaktor in 2004. The realtime was not possible until recent advances in computing. As a musician, Roser has performed at CBGB’s, Bowery Poetry Club, the Emily Harvey Foundation with Larry Litt, White Box with Elliott Sharp, and events for curator/performance artist A. Schloss.
Zero Boy is an East Village icon who uses a unique blend of sound and mime, the results being something akin to a performed comic book. He can be seen on the upcoming Nickelodeon show Alien Dawn as the evil Dr. Drago. He appeared Off-Broadway in the Yllana Production of ‘666’, and has performed regularly on NPR’s The Next Big Thing in a special “Stump Zero Boy” segment. He has been seen on the Fox and Friends, Good Day New York and MTV.
“In 1999 I declared August 24th randomly as Strange Music Day. It gave me an opportunity to come up with a cool graphic and drive home a point that I still believe in to this day: it is always good to listen and play music that we are unfamiliar with. It keeps our ears and outlook fresh. Around 2002, I started noticing that various summer schools were picking up on it as an actual holiday….Once I started seeing postings coming from Europe, I changed the name to International Strange Music Day. It’s just been getting bigger every year….” – Patrick Grant
“Recently I’ve been taking it a step further and we had the first International Strange Music Day Performance Soiree in 2012. I asked the New York new music community to submit their ideas and apply for spots on the concert. I wanted to see a lot of new music notables perform music that they were not usually associated with, to be willing to explore uncomfortable places, to reveal their guilty pleasures and hidden parlor tricks to the public. It was a blast! It was just one those things that came together and happened so well. I and everybody involved are already looking forward to raising the bar for the next event. You have been warned!” – International sTRANGE mUSIC Day creator, Patrick Grant, Exploring the Metropolis
“International Strange Music Day was created by Patrick Grant, a New York City musician. The premise is simple: to get people to play and listen to types of music they have never experienced before. The ‘strange’ part can mean either unfamiliar or bizarre – the choice is entirely yours. Patrick believes broadening people’s musical spectrums can also change the way we look at other aspects of life – his mantra is ‘listening without prejudice’. This growing movement has concerts, a record label and strong support from summer schools, where it is appreciated as a great way to stimulate young minds. Have you ever wanted to combine a tight Wonder Woman costume, a frozen turkey drumstick and an inflatable wildebeest into a percussion concert? International Strange Music Day gives you the perfect excuse. What you do with these items once the music stops, of course, is your business… “ – Days of the Year
TILTED AXES: DETROIT (313)
Tilted Axes: Detroit (313) at Comerica Park, July 19, 2014
GOOGLE VIDEO: Created automatically via Google+
PRINT: Metro Times Featurette – by Michael Jackman – July 16, 2014
RADIO: Interview on WJR – by Frank Beckmann – July 18, 2014
RADIO: Interview on WKAR – by Peter Whorf – July 18, 2014
PHOTOS: Tilted Axes @ United Sound Systems – photos by Jocelyn Gonzales – July 18, 2014
VIDEO: Tilted Axes @ United Sound Systems – GoPro by Frank Pahl – July 18, 2014
PHOTOS: Tilted Axes: Detroit (313) – photos by Jocelyn Gonzales – July 19, 2014
PHOTOS: Tilted Axes: Detroit (313) – photos by Oscar Zelaya – July 19, 2014
PHOTOS: Tilted Axes: Detroit (313) – photos by Maggie McCabe – July 19, 2014
TELEVISION: Fox 2 Detroit Television Promo – by Charlie Langton – July 19, 2014
Complete project info here:
On June 21st, as part of Make Music New York 2014, Terry Riley’s “IN C” was celebrated with “IN (Key)”, eleven new works by leading composer-performers in a concert co-produced by ComposersCollaborative and Peppergreen Media with the support of the Cornelia Street Cafe. The event began with a special performance of “IN C” itself, serving as a prelude to all that followed.
The project was previewed on the Artsbeat blog by Allan Kozinn:
“We asked people to write works for open scoring,” Mr. Distler said, meaning that the instrumentation would not be specified, “and using short repeating cells and other techniques that Terry used in the original. The pieces didn’t have to be exactly like ‘In C,’ but inspired by it.” (Mr. Distler said that his own piece, “IN B,” will use the Hare Krishna mantra and the “Batman” theme among its melodic cells.)
Mr. Distler also asked Mr. Riley for his blessing, which he received in an email that read, “I am so happy my 1964 daughter is again pregnant with so many remarkable new children.”
Read the rest of the post HERE.
Photos from the event can be seen in this slideshow:
Mr. Terry Riley himself made an appearance on Cornelia Street:
— Brian Wise (@briancwise) June 21, 2014
There was an NYT review and photographs from the event the following day:
I started my musical day farther north, in Greenwich Village, with an afternoon concert commemorating another anniversary, the 50th of Terry Riley’s groundbreaking composition “In C” (1964). One of the few works of the last century to rival Stravinsky’s “The Rite of Spring” (1913) in influence, this piece, with its single-minded, throbbing exploration of the key of C, set the tone for Minimalism, whether so called or not. (It was not, until the composer Michael Nyman applied the term to music in 1968, and some practitioners still oppose its use.)
For this commemoration, called “IN (Key),” the organizers, the composers and the keyboardists Jed Distler and Patrick Grant commissioned brief works (eight to 10 minutes or so) in more or less similar style from other composers and each wrote one himself: a total of 11 works that, taken together with “In C,” form a cycle based on each of the 12 pitches in the chromatic scale: thus, for example, John King’s “In A,” Vasko Dukovski’s “In B flat (maybe)” and David Borden’s “Around E flat.”
Read more of James Oestreich’
Completing the octave, on the program was: “IN Db” by Eleonor Sandresky (keyboard), “IN D” by Lisa Maree Dowling (electric bass), “IN Eb” by David Borden (keyboard), “IN E” by Gene Pritsker (electric guitar), “IN F” by Elliott Sharp (electric guitar), “IN F#” by Adam Cuthbért (trumpet & laptop), “IN G” by Patrick Grant (keyboard), “IN Ab” by Brad Balliett (bassoon), “IN A” by John King (viola), “IN Bb” by Vasko Dukovski (clarinet), and “IN B” by Jed Distler (keyboard).
The ensemble was joined by Michiyo Suzuki (clarinets) of the Absolute Ensemble and Gina Izzo (flute) of the RighteousGIRLS as special musical guests.
Stage Manager: Natasha Lee Martin
Sound Engineer: Erick Gonzales
Asst. Sound Engineer: David Rodriquez, Jocelyn Gonzales
Publicist: Alanna Maharajh Stone
The concert took place from 1:00 to 4:00 PM on the street outside the cafe at 29 Cornelia St. and was FREE and open to the public.
“The IN (Key) event sounds wonderful. I am so happy my ‘1964 daughter’ is again pregnant with so many remarkable new children.” – Terry Riley
On June 21st, as part of Make Music New York 2014, Terry Riley‘s “IN C” will be celebrated with “IN (Key)”, eleven new works by leading composer-performers in a concert co-produced by ComposersCollaborative and Peppergreen Media with the support of the Cornelia Street Cafe. The event will begin with a special performance of “IN C” itself, serving as a prelude to all that is to follow.
Completing the octave, on the program will be: “IN Db” by Eleonor Sandresky (keyboard), “IN D” by Lisa Maree Dowling (double bass), “IN Eb” by David Borden(keyboard), “IN E” by Gene Pritsker (electric guitar), “IN F” by Elliott Sharp (electric guitar), “IN F#” by Adam Cuthbért (trumpet & laptop), “IN G” by Patrick Grant(electric guitar & keyboard), “IN Ab” by Brad Balliett (bassoon), “IN A” by John King (viola), “IN Bb” by Vasko Dukovski (clarinet), and “IN B” by Jed Distler (keyboard).
Other special musical guests completing the performing ensemble TBA.
The concert will take place from 1:00 to 4:00 PM on the street outside the cafe at 29 Cornelia St. and is free and open to the public.
At 6:00 PM there will be a separate event inside the cafe performed by members of the ensemble for a nominal charge TBD.