On this edition of Strings and Things, the versatile electric guitarist Matt Grossman works on an iGuitar and host Patrick Grant attends to a Les Paul Standard.
As an in-demand soloist in New York City, Matt describes how he finds his role in different kinds of ensembles, from jazz and R&B, to folk and rock. He relates the story of a particularly alarming performance, and then amps up for a funky duet with Patrick.
Matt has also been teaching music for many years, to all age levels and all kinds of styles. You can find out more about him at mattgrossmanmusic.com.
On this second episode of Strings and Things, the eclectic guitarist and singer/songwriter Ann Klein re-strings her Telecaster, while our host Patrick Grant works on his surf green Jaguar.
As the old guitar strings get replaced, Ann runs down the pros and cons of performing for live theatre, and describes a couple of hairy moments onstage. We’ll hear about her dog’s hidden talents, and then plug in the Vox amps for a live rendition of her song “Chocolate Pie”.
photo by Sandrine Lee
Ann plays guitar, mandolin, dobro and lap steel. As a composer/songwriter, she’s toured in Europe and the US and composed music for documentary films, non-profit organizations, and television shows. As a guitarist, she’s worked with artists such as Ani DiFranco, Kate Pierson (of the B-52s), Joan Osborne, PM Dawn, Jon King (of the Gang of Four), the American Composers Orchestra, and many others. Ann was the lead guitarist for an all female band sent to Saudi Arabia as cultural diplomats by the U.S. State Department in 2013. She has performed on Broadway in Grease, 9 to 5, Everyday Rapture, Baby It’s You, and Kinky Boots.
On the premiere episode of Strings and Things, composer/guitarist Tony Geballe stops by to change the strings on his custom-built Nelson Fidelis TG1 electric guitar, while our host Patrick Grant re-strings his Rickenbacker 330. Tony tells us about his first guitar hero, and how he started playing in a Progressive Darkwave band. Then the Vox amps come out and they perform an excerpt from Tony’s score for a stage version of Faust.
New York’s Village Halloween Parade is an annual holiday parade and street pageant presented on the night of every Halloween in New York City’s Greenwich Village. Stretching more than a mile, this cultural event draws two million in-person spectators, more than sixty thousand costumed participants, dancers, artists and circus performers, dozens of floats bearing live bands and other musical and performing acts, and a world-wide television audience of one hundred million. The Village Halloween Parade, initiated in 1974 by Greenwich Village puppeteer and mask maker Ralph Lee, is the world’s largest Halloween parade and the only major nighttime parade in the United States.
Among the parade’s signature features are its pageant sized puppets — giant rod puppets “articulated” by teams of puppeteers — and its open participation to anyone in a costume who wishes to march. It has been called “New York’s Carnival.” Although the parade is currently not as informal and wild as it was in its earliest years, it is in effect still an alternative festival.
The parade has been featured in many national magazines and travel guides, and has been a subject of study by leading cultural anthropologists. According to The New York Times, “the Halloween Parade is the best entertainment the people of this City ever give the people of this City.” “Absolutely anything goes,” says USA Today. “Be prepared to drop your jaw.”
TILTED AXES: SÃO PAULO – Now it’s official and can be announced:The 3rd Música Estranha – International Exploratory Music Festival, to be held in São Paulo, Brazil, from 25th to 29th of November 2015, has invited Tilted Axes to create a series of events for their city. Exactly how it will manifest itself is still in development (there’s much work to do) but, it’s very exciting to think of how things will sound with Brazilian musicians added to the post-progressive mix. Very.