Tilted Axes premieres “Strange Changes” for International Strange Music Day

June 29, 2020: For Immediate Release

On August 24, 2020, Tilted Axes: Music for Mobile Electric Guitars will release a new music video in observance of International Strange Music Day. The new work, entitled “Strange Changes”, is part of a multiplatform meditation on the word “strange” and its many meanings.

In what could easily be the strangest year on record for many of us, 2020 brings with it a number of challenges for us to confront as a society and individually. The idea of strangeness and the unfamiliar are obstacles for many people. What is the source of the fear that these people are experiencing? How have the roots of these fears manifested into centuries old systemic barriers that need to be removed?

On International Strange Music Day, Tilted Axes invites people to begin this work simply: to listen without prejudice, to seek first to understand.

Tilted Axes is an award-winning project of post-rock composer and performer Patrick Grant, which brings especially composed electric guitar music into public spaces. The group consists of 15-18 electric guitarists playing instrumental music through wearable mini-amps, accompanied by percussionists and other performers. Stylistically the ensemble covers a number of genres, centering on the nexus where rock, classical, and world music meet. Tilted Axes performs in public squares, museums, and festivals of all kinds. Recently the group has been creating free online content in response to the current crisis.

“For ’Strange Changes’ the aim is to create something that relates to our shared moment and yet could be understood as a project by anyone anytime anywhere,” says creator Grant. “We don’t want to create another grid-style video. We’re compiling images and video footage from our musicians and other artistic collaborators and building a narrative, visually and musically, that encompasses the personal experiences that we are all sharing in this strangest of times.”

As in similar creations from Tilted Axes, expect a large complement of auxiliary material completing the “Strange Changes” picture: related music and mixes, visual art, interviews with project participants, and micro-productions popping up in social media.

Tilted Axes “Strange Changes” Artists (USA, Brazil, Germany)

Strange_Changes_artists_03

1st row: Aileen Bunch, Alex Lahoski, Angela Babin, Anthony Garone, Christoph Goetzen, Dan Cooper, 2nd row: Daniel Reyes Llinas, Frauke Wilhelm, Gael Grant, Gerard Smith, James La Croix, Jane Mabrysmith, 3rd row: Jason Goldstein, Jeff Adams, Jeremy Nesse, Jocelyn Gonzales, John Ferrari, Jon Clancy, 4th row: Leslie Stevens, Marcelo Andrade, Michael Fisher, Michelle Zulli, Nomena Struß, Nora Elbayoumy, 5th row: Patrick Grant, Sarah Metivier Schadt, Steve Ball, Sudeip Ghosh, Thiago Cury, Tony Twilight

Strange Music Day is a “holiday” created by Grant in 2000 as an internet meme. Ever since then, the concept has gained wide appeal and has grown internationally. Observance of Strange Music Day has been adopted by radio stations, summer schools, music festivals, and used as a platform to celebrate music, performance, and sonic innovation all over the world every August 24th.

For complete details about “Strange Changes”, its August 24th International Strange Music Day release and related events, please follow Tilted Axes on Instagram, Facebook, or on its web site.

“Strange Changes” is presented in partnership with the Festival Música Estranha (São Paulo), Make Weird Music, and is made possible by generous private donations through our fiscal sponsor Fractured Atlas and with support from the NYU Tisch School of the Arts Adjunct Development Fund.

More iNFO at http://tiltedaxes.com/tiltedaxes.html

 

For Your 2019 GRAMMY AWARDS® Consideration

“FIELDS AMAZE and other sTRANGE music”
by Tilted Axes creator Patrick Grant
new recordings from his classic catalog

* Contemporary Instrumental Album
* Instrumental Composition: “Keeping Still”
* Chamber Music / Small Ensemble Performance: “Imaginary Horror Film – Part 2″

The 62nd GRAMMY AWARDS® First Round Voting begins September 25th
Listen on Soundcloud: http://bit.ly/2n1Phue
More iNFO: http://bit.ly/2mtfemf

Cuming Co, Supercell

FIELDS AMAZE Gets Three Entries in the 62nd Grammy Awards®!

JDB-BGRAMMYS

http://www.strangemusic.com/famaze.html

FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!

Official entries for your consideration…

1. Best Contemporary Instrumental Album

Fields Amaze and Other sTRANGE Music

2. Best Instrumental Composition

Keeping Still

3. Chamber Music/Small Ensemble Performance

Imaginary Horror Film – Part 2

First Round voting begins Sept. 25

Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Tilted Axes Musicians Fund is Over 50%!

https://fundraising.fracturedatlas.org/tilted-axes-music-for-mobile-electric-guitars/campaigns/2770

July_Fund1

Tilted Axes Concert of Colors Musicians Fund at 50%!

Thank you everybody who have so far supported our upcoming 27th Annual Concert of Colorsperformances at the Michigan Science Center and the Detroit Institute of Arts. We just crossed the 50% mark toward our goal of $4500. Your tax-deductible support goes toward our dozen and a half musicians for their time and talent, the cost of our rehersal space, cartage, ads, and other essentials that enables us to bring our performances free of cost to the public.

The festival itself and our partner museums provide excellent opportunities for the group to offer transformative experiences that are free of charge to the Detroit community. Still, Tilted Axes is entirely self-funded and relies on your generous support to pay for its musicians, rehearsal space, and other administrative costs. Please consider joining our team and contribute to Detroit’s musical history!

 This month will see the completion of a particular project that has long been a dream of mine: music for live ensemble in a planetarium. The idea is to engage the public in science through music and art. Thanks to the 27th Annual Concert of Colors, the Michigan Science Center, and the Detroit Institute of Arts, I’ve had the opportunity to develop new music for Tilted Axes: Music for Mobile Electric Guitars that commemorates the 50th anniversary of Apollo 11’s lunar landing in a work titled, “MOONWALK.” My aim is to take this newly developed piece and similar work to other planetariums across the country in the months and years to come. 

 By becoming a co-producer of our event, you are eligible for all kinds of awards like CDs, T-Shirts, etc.

Go to: https://fundraising.fracturedatlas.org/tilted-axes-music-for-mobile-electric-guitars/campaigns/2770

*  *  *  *  *  *  *

Meet the performers and producers of Tilted Axes Detroit: Concert of Colors HERE

TAD_CoC_Roster2_600

Tilted Axes is…

With the project is in its ninth year, its surprising to hear when some people find it unclear what Tilted Axes is or is not. Here’s a short list of 10 things that was created to point people in the right direction. Pardon the third person…

1. Tilted Axes is a musical project created by composer Patrick Grant.

2. Tilted Axes is a procession of electric guitarists who wear mini-amps.

3. Tilted Axes can perform anywhere there are people, excelling in untraditional venues.

4. Tilted Axes’ roster of musicians can change from performance to performance, city to city.

5. Tilted Axes’ musicians learn a common repertoire created by PG and rehearse it in workshops.

6. Tilted Axes performances are free to the public and are supported through institutional and/or private donations.

7. Tilted Axes takes on aspects of spectacle informed by municipal band tradition, avant-garde theater, and world music.

8. Tilted Axes takes music out into the world and seeks transformative projects meant to change community conversation.

9. Tilted Axes is an apolitical organization, but it does support science, arts programs, and renewable energy whenever possible.

10. Tilted Axes works best when it is part of something bigger than itself i.e. festivals, exhibitions, community initiatives, astronomical events.

TA10

Every little will help create a new musical work that will resonate for a long time.

Thank you all for your time and consideration,
Patrick Grant & Tilted Axes: Music for Mobile Electric Guitars

A Tilted Tetralogy of Events

Tilted_CoC-App4 2

The application for Tilted Axes: Concert of Colors, July 12-13 in Detroit, MI is open.

Here is the link to apply: https://forms.gle/QaUMZo7cQqNAmsqTA

The above application is for electric guitarists, electric bassists, percussionists and support crew to be a part of Tilted Axes: Music for Mobile Electric Guitars appearances at Metro Detroit’s 27th Annual Concert of Colors on July 12 and July 13.

On July 12th Tilted Axes performance highlight will be a musical procession around the cultural campus of The Michigan Science Center, The Charles H Wright Museum of African American History, The Detroit Institute of the Arts, and the Detroit Historical Society. The procession will take place approximately between 5:00-8:00pm

On July 13th Tilted Axes performance highlight will be two musical performances of “MOONWALK,” new music created for the 50th anniversary of the first crewed lunar landing along with other Tilted Axes repertoire. The performances will take place at 1:00pm and 3:00pm and encompass various points inside the museum with a visit to the planetarium as its centerpiece.

Participants are not required to be a part of the TILTED AXES: SPACE CAMP June 8-9 FREE workshops, but if you are new to the ensemble or wish to re-enforce your knowledge of the core repertoire and tilted techniques, it is not a bad to be a part of it if you are able. To apply, please go to this Google Form here: https://forms.gle/WaaFwJZthGFyqTFK7

Meanwhile, in New York City: Tilted Axes NYC has two peformances coming up in June:

Tilted Axes: Make Music Harlem (June 21) – This event is part of a block party on W 119 Street that’s being produced by Milica Paranosic’s organization Paracademia LLC. The event page is HERE. At 5:00pm we’ll be performing a procession to The Apollo Theater and back and will take the stage for a short set at 6:30pm.

Tilted Axes: Rubulad (June 29) – Rubulad is a community of artists, performers and entertainers based in Brooklyn, NY located at 389 Melrose Street. We begin ca. 9:00pm and will perform (perhaps) a foray into the nearby neighborhood, a procession through their garden, and a performance on and around their stage. Many other acts will be a part. It will be Pride Weekend all around, so expect a joyful scene.

For more details, maps, and information on how you can be a part of any these events, please go to our web page: http://tiltedaxes.com/tiltedaxes.html

All of our performances are given free to the public. These events would not be possible without our numerous co-producers and project donors. Won’t you consider making a tax deductible gift through our sponsor Fractured Atlas? Go to:

https://fundraising.fracturedatlas.org/tilted-axes-music-for-mobile-electric-guitars

Tilted Axes thanks the organizations, collaborators, and sponsors that hold everything together: Vox Amps, KORG USA, Midtown Detroit, Alchemical Studios NYC, Brooklyn Battery Works, DIME (Detroit Institute of Music Education), The Concert of Colors, The Michigan Science Center, Paracademia Inc. and Peppergreen Media.

Thank you all,
Patrick Grant & Tilted Axes: Music for Mobile Electric Guitars

Tilted_Tetralogy_600 2

Meet the performers and crew of Tilted Axes NYC Summer 2019 
click link > http://tiltedaxes.com/NYCSummer2019_artists.html

TANY19_artists600

Left to right, top to bottom: Gene Ardor, Angela Babin, Aileen Bunch, Jon Clancy, Dan Cooper, David Demnitz, David Tamura, Patrick Grant, John Ferrari, John Halo, John Lovaas, Sarah Metivier Schadt, Jeremy Nesse, Chad Ossman, Kevin Pfieffer, Sean Satin, Harry Scott, Jocelyn Gonzales

Award-winning vocal group ROOMFUL OF TEETH mixed by sTRANGE Music’s Patrick Grant for Public Radio’s STUDIO 360

roomful_web

Composer/producer Patrick Grant / sTRANGE Music contributed distinctive musical mixes to this week’s episode of Studio 360 with tracks performed by ROOMFUL OF TEETH. This episode includes musical selections composed by Pulitzer Prize winner Caroline Shaw, Rinde Eckert, and more. Listen online, download as podcast, or find it on a public radio station near you.

RoomTeethPlan

Roomful of Teeth is a cutting-edge, eight-person vocal ensemble that commissions and performs music of all sorts of genres and techniques from all over the world. They’ve studied yodeling, Tuvan throat singing, Sardinian cantu a tenore, Korean pansori, etc.

“We study with masters from these other singing traditions and get some degree of comfort and flexibility from those interactions,” explains founder and director Brad Wells. “And then the commissioned composers observe that process, hear what the singers are capable of and then explore, ‘Given these possibilities what might I create?’

Episode: https://www.pri.org/stories/2018-08-02/roomful-teeth-around-world-eight-voices

PRIS360kurt

Studio360: https://www.pri.org/programs/studio-360

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary new recording

FA-2018-cover-721-800

new recordings + bonus tracks

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

TILTED AXES: SÃO PAULO

TASP2

TILTED AXES: SÃO PAULO – Now it’s official and can be announced: The 3rd Música Estranha – International Exploratory Music Festival, to be held in São Paulo, Brazil, from 25th to 29th of November 2015, has invited Tilted Axes to create a series of events for their city. Exactly how it will manifest itself is still in development (there’s much work to do) but, it’s very exciting to think of how things will sound with Brazilian musicians added to the post-progressive mix. Very.

More iNFO TBA

International sTRANGE mUSIC Day 2014


* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

International sTRANGE mUSIC Day 2014 Performance Soiree
Sunday, August 24th @ SPECTRUM, 121 Ludlow St., NYC

Tickets $15 – Doors open at 6:30 pm with trouble to begin at 7:00 pm

Web site: http://www.strangemusic.com/ISMD2014.html

PDF Press Release

NEWSFLASH: All attendees of the INTERNATIONAL STRANGE MUSIC DAY performance at Spectrum NYC on Aug. 24th are eligible to enter our FREE raffle. The Grand Prize? A single ticket to the KING CRIMSON concert on Sept. 21st in NYC, Orchestra Center, Row GG, Seat 101. Why only one ticket? Out of sympathy for the poor date that always gets dragged along. We’re showing some mercy.

AUGUST 24th is International sTRANGE mUSIC Day. It’s a real holiday, yes it is. To celebrate, some of the NYC area’s best and brightest composers and performers are getting together to have a very unserious session of music making. This as an opportunity to for them to share unusual sounds, unusual instrumentation, and unusual compositions rarely heard or new ones that will never be heard from again.

For the 2014 celebration, creator Patrick Grant/Peppergreen Media partners up once again with NYC’s Lower East Side high-tech chamber-salon Spectrum NYC where the 2012 event was held. This is the perfect venue for such an event since its capabilities will enable strange musicians and performers of all stripes to push the envelope into uncharted territory.

Celebration in São Paulo: Making this a truly international event, there will be a Strange Music Day sister spectacle taking place at exactly the same time at the Paco Das Artes in São Paulo, Brazil presented by the Orchestra Descarrego. More iNFO via their Facebook event page HERE.

A SPLENDID ORCHESTRA
is in town, but has not been engaged

MAGNIFICENT FIREWORKS
were in contemplation for this occasion, but the idea has been abandoned

A GRAND TORCHLIGHT PROCESSION
may be expected; in fact, the public are privileged to expect whatever they please.

NYC PERFORMERS TO INCLUDE…

Cristian Amigo & Angela Babin

Guitarists Angela Babin and Cristian Amigo perform Empty Form Duo #5, a piece based on the non-dualistic idea of form/emptiness. Babin was a founding mother of the band The Ordinaires who received critical acclaim in the 80s in the Downtown NY music scene. She met Amigo (Guggenheim Fellow, guitarist, and songwriter) while playing Elliott Sharp’s Syndakit. During an extended wait for the subway they formed their collaboration for the Gotham Roots Orchestra via a mutual appreciation for the blues. They will keep it sTRANGE.

Lynn Bechtold

Violinist/composer Lynn Bechtold has appeared in recital throughout NA and Europe, and has premiered works by composers including Gloria Coates, George Crumb, John Harbison, Alvin Lucier, and Morton Subotnick. She is a member of groups including Zentripetal Duo, Bleecker StQ, Miolina, and SEM, and her performances have been broadcast on various TV/radio, including WNYC, 30 Rock, CBS Morning Show, and Good Day NY. She has appeared at venues from Lincoln Center and Carnegie Hall to LPR and Joe’s Pub. Her electroacoustic compositions have been performed on festivals such as the Composers Concordance Festival and Kathleen Supove’s Music With A View.

Jason Belcher

Jason Belcher is a composer & multi-instrumentalist who studied at the New England Conservatory in Boston. He led several performance projects as a student, including a revival of music by Burr Van Nostrand, a composer whose most adventurous scores went unheard for 42 years. As a result of this project, a disc of Burr’s work was released by New World Records in 2013. Belcher currently lives and works in New York, where he is active in projects with other young improvisers.

Tom Burnett

Chime’s Swing Number 89, inspired by a set of chimes given to Tom Burnett in 1989 by the late performer and artist Winchester Chimes, is part of a continuing series of performances dating back to 1989. This performance is coincidentally the eight-ninth. Other venues have included the Bardavon Theatre, Joe’s Pub, the Kitchen, the occasional rock quarry, church, and the Canal Street subway station.

Ken Butler

Ken Butler is an artist and musician whose Hybrid musical instruments, performances, and installations explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. He has performed and exhibited throughout the USA, Canada, and Europe including The Stedelijk Museum, The Prada Foundation in Venice, Mass MoCA, The Kitchen, The Brooklyn Museum, The Queens Museum, Lincoln Center, and The Metropolitan Museum as well as in South America and Asia. Butler has been reviewed in The NY Times, The Village Voice, Artforum, Smithsonian, and Sculpture Magazine and has been featured on PBS, CNN, MTV, and NBC’s The Tonight Show.

Constance Cooper

Constance Cooper improvises instrumentally and vocally, in concert —today, Solo With Stadium Blanket — and for theater, using two keyboards tuned a quartertone apart. She belongs to ArtStar, which includes live painting and audience drawing, and to the women’s a cappella acoustic trio Arc Welding. Some years ago she designed an improvisation work for the cellist Ernst Reijseger, who began the performance, then stood up, walked around while playing, and then deliberately got entangled with the branches of a large potted plant. He later said that he had always wanted to be a tree.

Glenn Cornett

Glenn Cornett runs Spectrum NYC, the performance venue/gallery on Manhattan’s Lower East Side that supports innovation and virtuosity in the arts. He is a composer/performer, playing guitar, keyboards, electronics, etc. Founder of two biotechnology companies – Pastorus (autism, other CNS disorders) and Navitas (cardiovascular, metabolic diseases). He has worked at McKinsey and Eli Lilly. Education: MD with Distinction in Research from the University of Michigan; PhD in neuroscience from UCLA, dissertation on human deep-brain responses to musical stimuli. He has a black belt in karate and has run nine marathons, including Istanbul in November 2013.

GangBhang

GangBhang is a collective of inattentive plus ultra performers from different “walks” of life that include secular and non-secular attitudes and fashions. This time presents a very exciting, but hopefully boring, performance with the very devices that (usually) break our connection with the real world. The performers are Balldie on iPhone, Mojas on Maschine, and Preachermac on iPad.


portrait by Ted Berkowitz

Patrick Grant

Patrick Grant creates musical works that are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and amplified instruments. He is the creator of International Strange Music Day (August 24) and the creator/pioneer of the electric guitar procession Tilted Axes.

Amy & Alex Hamlin

Amy & Alex Hamlin are a husband and wife team who enjoy their cats, Walter & Boris, their garden, & traveling to exotic places. They are the founders of the 7-piece soul/rock band Amy Lynn & The Gunshow. The duo is enjoying experimenting more with voice and baritone sax with the music from The Gunshow. Together and apart they have played all over the country with acts such as Yo La Tengo, St. Vincent, Beth Hart, Duffy, The National, Spoon, and Red Barrat.

Niloufar Nourbakhsh

Niloufar Nourbakhsh started learning piano at the age of nine at Sarang Institute of Music located in Karaj, Iran. At the age of fifteen, she won the 2nd Prize of Iran’s National Piano Biennale Competition and performed at Tehran’s Roudaki Concert Hall twice as a participant of The Music Festival from Classical to Modern. She is a music and math graduate of Goucher College and Oxford University. She has participated in numerous music festivals as a pianist and a composer such as New Paltz Piano Summer, Atlantic Music Festival, and the Rhymes with Opera Workshop. She is currently working at Brooklyn Music School Summer Institute as a teaching artist.

Lorin Roser

Lorin Roser is a multimedia artist fascinated with the expression of mathematics. He utilizes algorithms in his musical compositions and physical simulations in his 3D animations. Recent music is created with realtime manipulation of polynomials. This work began in the 80s and was ported to Reaktor in 2004. The realtime was not possible until recent advances in computing. As a musician, Roser has performed at CBGB’s, Bowery Poetry Club, the Emily Harvey Foundation with Larry Litt, White Box with Elliott Sharp, and events for curator/performance artist A. Schloss.

Zero Boy

Zero Boy is an East Village icon who uses a unique blend of sound and mime, the results being something akin to a performed comic book. He can be seen on the upcoming Nickelodeon show Alien Dawn as the evil Dr. Drago. He appeared Off-Broadway in the Yllana Production of ‘666’, and has performed regularly on NPR’s The Next Big Thing in a special “Stump Zero Boy” segment. He has been seen on the Fox and Friends, Good Day New York and MTV.

“In 1999 I declared August 24th randomly as Strange Music Day. It gave me an opportunity to come up with a cool graphic and drive home a point that I still believe in to this day: it is always good to listen and play music that we are unfamiliar with. It keeps our ears and outlook fresh. Around 2002, I started noticing that various summer schools were picking up on it as an actual holiday….Once I started seeing postings coming from Europe, I changed the name to International Strange Music Day. It’s just been getting bigger every year….” – Patrick Grant

“Recently I’ve been taking it a step further and we had the first International Strange Music Day Performance Soiree in 2012. I asked the New York new music community to submit their ideas and apply for spots on the concert. I wanted to see a lot of new music notables perform music that they were not usually associated with, to be willing to explore uncomfortable places, to reveal their guilty pleasures and hidden parlor tricks to the public. It was a blast! It was just one those things that came together and happened so well. I and everybody involved are already looking forward to raising the bar for the next event. You have been warned!” – International sTRANGE mUSIC Day creator, Patrick Grant, Exploring the Metropolis

“International Strange Music Day was created by Patrick Grant, a New York City musician. The premise is simple: to get people to play and listen to types of music they have never experienced before. The ‘strange’ part can mean either unfamiliar or bizarre – the choice is entirely yours. Patrick believes broadening people’s musical spectrums can also change the way we look at other aspects of life – his mantra is ‘listening without prejudice’. This growing movement has concerts, a record label and strong support from summer schools, where it is appreciated as a great way to stimulate young minds. Have you ever wanted to combine a tight Wonder Woman costume, a frozen turkey drumstick and an inflatable wildebeest into a percussion concert? International Strange Music Day gives you the perfect excuse. What you do with these items once the music stops, of course, is your business… “ – Days of the Year

www.peppergreenmedia.com