Pitches at an Exhibition

As promised, here’s a rundown of the interactive projects by Chronotronic Wonder Transducer that will be featured in Theaterlab‘s Studio C during the MMiX Festival. You can check these out 6PM to 7:45 PM on October 8, 9 and 10 – come out and play, it’s free:

OUTIS (Mike Clemow) Thursday

Outis is a Greek word that means “nobody” and was originally intended to be an “intelligent” composition/performance using a video file or live stream as a score, which would be analyzed by a software program and turned into sound. It has become more of a performance tool since the project began in early January, 2009. Today, Outis is a performance that combines many of the same programs that comprised the first iteration of the project without the focus on artificial intelligence that characterized the first version, leaving the intelligence up to the performers themselves.  For MMiX, Outis will be presented as a interactive installation in which audience becomes performer.

SANCTION OF THE VICTIM (Joe Mariglio) Thursday

“Sanction of the Victim” is a composition for a network of computers.  Each computer has two tendencies, which are in tension with each other: a flock, by which the computers cooperate to build rhythmic phrases, and a virus, by which the computers compete and, as a result, cause the router to malfunction.  The flock sounds like banging on metal, and the virus sounds like swarms of locusts.  The result is an chance-based composition that exploits the physicality of the medium for which it was conceived.

POWER BIKE PARADE (Mike Clemow & Amy Khoshbin) Friday

Power Bike Parade is a bike-powered electronic orchestra that demonstrates the use of an alternative power source by converting the kinetic energy of pedaling a bike into electricity used to create a festival of electro-acoustic music and glittering LED lights. The two-rider parade takes this everyday act of riding a bicycle, and expands it into a visual and sonic spectacle, re-appropriating the act as a performance and a venue for expression.

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SPACE EGGS (Ted Hayes) Friday

EggBeater uses the intuitive power of rhythm to let anyone control the playback of music. Shaking this small, wireless device in regular patterns can automatically adjust the tempo and timing of loops. Just start playing the EggBeater just as you would a traditional shaker, and listen as the song slows down as you slow down, or speed up as you do!

The instrument uses an accelerometer coupled with an XBee radio to send your movements to PureData, where they detect your downbeats and rhythmic tempo. The software can then control playback within PureData or send OSC or MIDI messages to other platforms.

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CRUDLABS’ GINORMOUS THING (Steven Litt) Saturday and Sunday

Steven Litt spent most of the past two years designing CrudBox, a hardware step sequencer which controls essentially whatever electronic devices are plugged into it: doorbells, motors, power tools, flamethrowers, you name it.  He has spent the past 6 months performing highly energized and abrasive electro-acoustic dance music as CrudLabs and CrudLabs Sound System using only his precious CrudBoxes. At MMiX, he will for the first time ever he presents an interactive installation in which attendees may play a CrudBox making rhythmic music out of a 500 square foot room full of clangorous amplified objects being struck, shaken, and generally abused by various mechanisms.

Jocelyn

p.s. A shout-out to Gideon D’Archangelo, Hans-Christoph Steiner and Greg Shakar for hooking us up with Steven Litt. 🙂

MMiX FESTIVAL – Schedule of Events

The MMiX FESTIVAL of Interactive Music Technology
October 8-11, 2009 at Theaterlab
137 W 14th Street, New York City
(212) 929-2545
http://www.theaterlabnyc.com

Tickets: $20 / $15 students & seniors
Available online at: https://www.ovationtix.com/trs/cal/28175

SCHEDULE OF EVENTS & PERFORMANCES:

6:00-7:45 PM Thursday through Saturday
Free and open to the public in Studio C

Interactive sound installations by
Chronotronic Wonder Transducer
led by sound inventor Steven Litt

THU OCT 08
8:00 PM – Performance
Bora Yoon +
Luke DuBois +
Todd Reynolds +

FRI OCT 09
6:30 PM – Free Event
Ableton LIVE 8
Demo/workshop by DubSpot NYC
led by Chris Petti
8:00 PM – Performance
Dan Trueman and his Mini Laptop Orchestra
Jon Margulies / Hobotech
Joshua Fried / Radio Wonderland

SAT OCT 10
6:30 PM – Free Event
– Ableton & Cycling ‘74 present: MAX for LIVE
with Todd Reynolds & Luke DuBois
8:00 PM – Performance
Patrick Grant Group
Kathleen Supove / Exploding Piano
Elliott Sharp / Janene Higgins

SUN OCT 11
6:30 PM – Performance
Chronotronic Wonder Transducer
Ben Neill & Bill Jones
DJ Rekha / Basement Bangra

PLUS product giveaways of Ableton LIVE 8 and Cycling ’74’s MAX 5

* * * * * * *

The MMiX Festival of Interactive Music Technology is produced by Theaterlab, radio producer Jocelyn Gonzales, and curated by composer/performer Patrick Grant.

All events take place in the studios of Theaterlab which is located at 137 West 14th St., between 6th and 7th Ave., New York City. For more information (ticket info, directions, etc.) visit Theaterlab’s web site at http://www.theaterlabnyc.com.

Software and laptop improvements present new possibilities for composer/performers to create complex soundscapes in real-time during live performance. The focus of the festival is to demonstrate that these emerging audio technologies are instrumental in new artistic creations, and to inform the public regarding the current state of this art form. The artists presented in MMiX have set a new bar in that discourse and will provide live performances, media installations and workshops.

Ableton, creators of LIVE 8 and Cycling ’74, creators of Max/MSP/Jitter are primary sponsors of the festival with additional support by DubSpot NYC and Eventide.

Media sponsorship for the festival is generously provided by WNYC 93.9 FM and 820 AM, New York City listener supported radio.

WNYC

“Will You Be Checking-in Any Baggage, Mr. Litt?”

When Steven Litt opens up his suitcases, you won’t see socks, shirts and a hairdryer tumble out. (Well, maybe a hairdryer – could come in handy, sonically speaking.)

Instead, you’ll find a small mixer, a mess of wires, hacked doorbells and effects pedals hammering out a somewhat industrial heartbeat. Steven is the inventor of CrudBox, basically a super analog robot drum machine.

photo from Steven Litt

photo from Steven Litt

Steven describes his project this way:

“CrudBox is a 16 step, 8 channel step sequencer which replaces digitally created or analog synthesized sounds typically associated with sequencers and electronic music with the amplified sounds of whatever electronic or electromechanical devices are plugged into it.

There are many new possibilities for sonic experimentation with the diverse combination of sounds and musical structures which can be created with CrudBox. Solenoids and motors can be plugged in and sequenced while striking or otherwise moving or vibrating any physical material and their sounds amplified in real time using Piezo contact mics. These mics, or any other sound source, can be plugged into hacked guitar pedals and effects boxes which can then also be sequenced by CrudBox. Cassette decks, reel to reels, turntables, power tools, and any other sound generating devices can also be hacked and sequenced.”

Here’s a quick demo of the CrudBox:

Steven presented CrudBox at ITP’s Spring Show 2009, and he’s performed with it at Handmade Music events in Brooklyn.

This week at my office in NYU’s Tisch School of the Arts, I asked Steven about creating this new musical instrument and what’s next for his suitcase sequencer:

There’s something beautifully retro and organic about CrudBox, and its percussive possibilities seem limitless due to the variety of scrap materials and devices that can be used with it. There’s no software or computers involved at all, and though it probably has just as much musical flexibility as something you might manipulate digitally, CrudBox can also receive MIDI information from a program like Ableton.

I can’t wait until Steven sells a kids’ version of CrudBox to Fisher-Price, a gift to the exasperated parents of budding musicians everywhere. 🙂

Jocelyn Gonzales