A Special Thanks to Our Co-producers from Tilted Axes

Planetarium

Dear co-producers, sponsors, and supporters,

Thank you for much for your support throughout the spring and summer. With your help, we’ve been able to present a number of free performances to the public. 

Most recently we completed our residency at the 27th Annual Concert of Colors in Detroit at the Detroit Institute of Arts and the Michigan Science Center. Over two days we were able to perform for a couple thousand people live and many more than that through television. 

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The response was incredible. Every paper and magazine made us a Critics’ Pick and we were well represented on the the radio, WDET and CJAM especially.

With your help, we created a new type of work that will resonate for a long time. Now we have something that can be presented with other museums, science centers, and transformative community arts organizations. This will come.

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If you will be receiving an award from our last campaign (T-shirt, CD, etc.), you will be getting notice of this shortly. If you want to pick up some more or want to encourage a friend to support us, you can always send them to this link: https://bit.ly/2Y1gvOb

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And so, we thank you again on this 50th anniversary of the Apollo 11 moonwalk. 

Ever forward,

Patrick Grant & Tilted Axes: Music for Mobile Electric Guitars

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PHOTOS – Tilted Axes: PROMENADE at the Detroit Institute of Arts – https://bit.ly/2xVXAtP

PHOTOS – Tilted Axes: MOONWALK at the Michigan Science Center – https://bit.ly/2XUfMDz

VIDEO – Tilted Axes: Performing “Techno Tilt” on FOX 2 Detroit – https://www.youtube.com/watch?v=wLEYE0ZA6hA

VIDEO – Tilted Axes: “On the Steps of the Kresge Court” – https://www.youtube.com/watch?v=UHyxm7Loaow

PRESS – Tilted Axes PR on Broadway World – https://bit.ly/30oqmz8

Tilted Axes: MOONWALK at the Concert of Colors

T-Minus 10 weeks away …

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FRIDAY, JULY 12

The Michigan Science Center presents:

5020 John R St., Detroit, 48202

5-8 p.m. (Moving between Various Locations) TILTED AXES: MUSIC FOR MOBILE ELECTRIC GUITARS, created by Patrick Grant. Musical processions leading guests through the DIA (Detroit Institute of Arts), The Detroit Historical Society, + spaces in-between, ending at the Charles H. Wright Museum of African American History.

SATURDAY, JULY 13

The Michigan Science Center

5020 John R St., Detroit, 48202

1 & 3:30 p.m. TILTED AXES: MUSIC FOR MOBILE ELECTRIC GUITARS. Commemorating the 50th Anniversary of the first crewed lunar landing in 1969, “MOONWALK” by Patrick Grant. Performances around the center and in the planetarium.

The 27th Annual CONCERT OF COLORS

http://tiltedaxes.com/tiltedaxes.html

All Systems Go: New Music to Commemorate the First Lunar Landing

“Composer/performer Patrick Grant and Tilted Axes: Music for Mobile Electric Guitars will collaborate with the Michigan Science Center to create a new musical work to commemorate the 50th Anniversary of the First Lunar Landing.

This new music will get its premiere in the planetarium and at various points around the center as part of the 27th Annual Concert of Colors in Detroit, MI the weekend of July 12th, 2019.

More details will be announced at the Tilted Axes Detroit: New Again relaunch event at Third Man Records Cass Corridor during the full moon equinox, Wednesday, March 20th ca. 6pm.” #AllSystemsGo

PRESS RELEASE: Four Weeks Away… Tilted Axes Detroit: New Again

Download the Press Release HERE

POST-ROCK COMPOSER PATRICK GRANT RETURNS TO DETROIT WITH HIS TILTED AXES: MUSIC FOR MOBILE ELECTRIC GUITARS PROJECT IN A TRIO OF PERFORMANCES COLLECTIVELY BILLED AS “TILTED AXES DETROIT: NEW AGAIN” AT THIRD MAN RECORDS CASS CORRIDOR, THE HENRY FORD, AND THE MARCHE DU NAIN ROUGE.

“New Again” is comprised of the following three events and more details are available at http://tiltedaxes.com/tiltedaxes.html:

On Wednesday, March 20th (The Full Moon Equinox) The 18-plus musicians of Tilted Axes Detroit will assemble at 5:30pm at Third Man Records Cass Corridor at 441 W. Canfield, Detroit, MI to mark the project’s return to the city. Third Man Records was founded by Jack White in 2001 with locations in Nashville (2009) and in the Cass Corridor (2015). At this event, Tilted Axes director Patrick Grant will welcome visitors at 5:58pm, the minute the season transitions from winter to spring. A short in-store performance by Tilted Axes will follow. Then, during the 6 o’clock hour, Tilted Axes Detroit will perform a musical procession around the neighborhood to celebrate and promote their upcoming appearances at The Henry Ford (3/23) and the Marche Du Nain Rouge (3/24). The group will reconvene at Third Man Records Cass Corridor to complete the performance. This event is free and open to the public.

On Saturday, March 23rd at 1:00pm, Tilted Axes Detroit will appear at The Henry Ford as part of Make Something: Saturdays. The Henry Ford (also known as the Henry Ford Museum of American Innovation and Greenfield Village, and as the Edison Institute) is a sprawling history museum complex located in the Detroit suburb of Dearborn, Michigan, and was named a National Historic Landmark in 1981. The museum’s Model I Theme for March is “Collaborate”. In honor of that theme, Patrick Grant will premiere new compositions that emulate an assembly line in full swing during a Tilted Axes procession throughout the museum. The event is open to museum visitors, no extra tickets required. The Henry Ford, 20900 Oakwood Boulevard, Dearborn, MI, (313) 982-6001.

On Sunday, March 24th at 1:00pm, Tilted Axes Detroit will participate in the 10th Annual March Du Nain Rouge. Every March around the Equinox, thousands of revelers gather for a parade through Midtown Detroit to celebrate their city. At 12:00 noon, the crowd gathers at the corner of Canfield and Second, right next to Traffic Jam & Snug, for a celebration of Detroit with live entertainment. At 1:00pm the Tilted Axes procession will join the parade down Second to the Masonic Temple. This event is free and open to the public.

More about Tilted Axes: Music for Mobile Electric Guitars: Tilted Axes was created in 2011 by Detroit-born, NYC-based composer/performer Patrick Grant. Tilted Axes cuts musical pathways through the urban landscape, turning neighborhoods into their own sonic narratives. Since its inception, Grant has produced a number of Tilted Axes processions in various cities upon three continents. In 2013 Grant brought Tilted Axes to his hometown of Detroit and created a version of the project with a core of local musicians. They have performed in partnership with the DIA, WDET, the Charles H. Wright Museum, The Detroit Historical Society, the 2015 Concert of Colors, and other area sponsors.

Since Tilted Axes Detroit’s last area appearance in 2015, Grant released an award-winning album of Tilted Axes music as well as other works, one of which was nominated for a Detroit Music Award in 2018.

TILTED AXES DETROIT is a project of Peppergreen Media, sponsored by Vox Amps/Korg USA and local partnerships with Third Man Records Cass Corridor, The Henry Ford Museum of American Innovation, and The Marche Du Nain Rouge, with additional support from the DIME Detroit Institute of Music Education, Third Wave Music, and generous private co-producers and tax deductible donations made through our fiscal sponsor Fractured Atlas. 

Five Weeks Away… Meet the Tilted Axes Detroit Artists

Electric Guitars: Patrick Grant, Jeff Adams, Aileen Bunch (Philadelphia), Jude Closson, Christoph Götzen (Düsseldorf), Erik Grant, John Halo (NYC), Bob Kaufman, James Keith La Croix, John Lovaas (Chicago), James McGlinnen, Chris McGorey, Chris Simpson, and Gerard Smith

Baritone Ukelele: Frank Pahl

Electric Bass: Aaron Butler (Columbus), Alex Durante (Washington D.C.), and Sarah Metevier Schadt (Chicago)

Percussion: Skeeto Valdez, Zac Bru, and Gael Grant

Associate Producer: Jocelyn Gonzales (NYC)

Stage Manager: Rob Knevels

Read more iNFO HERE

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary edition

FA-2018-cover-721-800

remixed + remastered + bonus tracks
coming soon

Press Release 7/21 update

Recorded at Philip Glass’ Looking Glass Studios and at sTUDIO 41 NYC.
Originally released on the sTRANGE Music label.

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

Tracks 2, 3, 4, 5 recorded and edited at The Looking Glass Studios, NYC, 1997 – Garry Rindfuss: recording engineer – Dante DeSole: asst. engineer and editor – Ryoji Hata: asst. editor – Amanda Riesman: administration – gamelan instruments provided by Barbara Benary and Gamelan Son of Lion – large kendang drum and additional gongs provided by Skip LaPlante and Music for Homemade Instruments – originally released on the album Attack Decay Sustain Release by sTRANGE Music Records 1998 – Tracks 1, 6, 7, 8, 9 recorded at sTUDIO 41, NYC, 1998-2000 – Patrick Grant: recording engineer and editor – originally released as a Special Edition EP for the Brooklyn Academy of Music (BAMcafé Live) by sTRANGE Music Records, 2000.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

Interview: It’s Psychedelic Baby! Magazine

“The NYC-based composer and performer Patrick Grant has had a long and gleaming career that continues on with his newest release, A Sequence of Waves (Twelve Stories and a Dream). The album is a refined collection of genre-bending and experimental tracks that many critics struggle to pin down. Stumbling into post-minimalism, modern classical, prog rock, and post-rock territory, the album wears many masks. And for good reason, given Grant’s accomplished background.”

Read the interview in It’s Psychedelic Magazine Baby HERE