FREE Remote Recording Workshops

REMOTE RECORDING WORKSHOPS

Opt. 1: Thursday nights, February 11, 18, 25 from 7:00pm to 8:30pm EST

Opt. 2: Sunday afternoons, February 14, 21, 28 from 1:00pm to 2:30pm EST

These will be conducted over Zoom – Details TBA.

To apply please fill out the Google Form: https://tinyurl.com/y5f2alvg 

These winter courses are for new participants who did not attend last Fall’s workshops.

These courses are free to accepted participants. Fees are funded by the generous supporters of Tilted Axes: Music for Mobile Electric Guitars. The courses are given by me, Patrick Grant, a composer, performer, music educator, and creator of Tilted Axes.

Remote recording, online sessions, file sharing – while the things these terms describe are nothing new, there are many musicians and songwriters that don’t understand them. Like many developments on the internet, there isn’t a universal nomenclature, and terms are used loosely. Which is why we thought it was worth taking the time to offer some clarity, and shed light on the opportunities that are available to people involved in every level of the music production process.

This is a great time for music and a great time to make music together. Collaborating remotely is not going away, so best to learn and sharpen those skills and be heard in every way possible.

The course is designed for Mac and PC users, laptops or desktops. Sorry, no tablets or smart phones. You must have a working audio interface to participate. This should be set up and running before we begin. If you require help, you should ask for assistance, but there’s plenty of resources out there for you.

You will need an audio interface. If you need to purchase a good audio interface, we recommend the Focusrite Scarlett 2i2, but there many you can chose from. if you already use one, great. For this course you can use an electric guitar, electric bass, electronic keyboard, or a good microphone and/or an acoustic instrument of your choice to participate. We just want you to use something that will make recording fun for you.

Ableton LIVE will be our default software. If you already use, or are more comfortable with something else, that’s OK, but in these workshops we will begin with Ableton so we have a common reference and since it is common to both the Mac and PC platform. If you need a copy of Ableton, you can download and use a functioning trial version for 90 days at https://www.ableton.com/. The version that you will use depends on the computer you current own. If you cannot use Ableton, it is acceptable to use Garageband (sorry, Mac users only). We will also be using Audacity (which is free to download) in a few instances.

While this is not an Ableton Live or garageband course, we will use this programs to varying degrees in the service of learning good recording technique, how to share files in a collaborative way, and how to use any kind of software as a generative musical composition tool no matter your level of previous experience.

The proposed course syllabus is:

Session 1 – The Physics of Sound Pt. 1, checking your interface, setting levels, creating and using a template for Tilted Axes (and other projects), initial recording, multiple takes, bouncing out your audio, Assignment A.

Session 2 – The Physics of Sound Pt. 2, microphone techniques, creating a multitrack recording, editing, panning, bouncing out your audio, Assignment B.

Session 3 – Acoustics: The Behavior of Sound in a Room, FX = Frequency, Dynamics, and Time, Post-Production, extended editing techniques, bouncing out your audio, the completion of the course Assignment.

Space is limited so apply as soon as possible. I will be getting back to everybody to finalize your participant.

Again, to apply please fill out the Google Form: https://tinyurl.com/y5f2alvg 

Looking forward to making more music with friends old and new.

Thank you all,

Patrick Grant &

Tilted Axes: Music for Mobile Electric Guitars

For Your 2019 GRAMMY AWARDS® Consideration

“FIELDS AMAZE and other sTRANGE music”
by Tilted Axes creator Patrick Grant
new recordings from his classic catalog

* Contemporary Instrumental Album
* Instrumental Composition: “Keeping Still”
* Chamber Music / Small Ensemble Performance: “Imaginary Horror Film – Part 2″

The 62nd GRAMMY AWARDS® First Round Voting begins September 25th
Listen on Soundcloud: http://bit.ly/2n1Phue
More iNFO: http://bit.ly/2mtfemf

Cuming Co, Supercell

FIELDS AMAZE Gets Three Entries in the 62nd Grammy Awards®!

JDB-BGRAMMYS

http://www.strangemusic.com/famaze.html

FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!

Official entries for your consideration…

1. Best Contemporary Instrumental Album

Fields Amaze and Other sTRANGE Music

2. Best Instrumental Composition

Keeping Still

3. Chamber Music/Small Ensemble Performance

Imaginary Horror Film – Part 2

First Round voting begins Sept. 25

Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

“A Sequence of Waves” is a 3x official entry in the 61st Grammys

“A Sequence of Waves” is an official entry in the 61st Grammy Awards Nominations!

61st GRAMMY AWARDS ENTRIES – It’s a thrill to see Patrick Grant‘s contemporary instrumental album A SEQUENCE OF WAVESthe arrangements w/vocals “Seven Years at Sea” and “One Note Samba,” entered into the first round of nominations. entered into the first round of nominations. 

If you are a voting member of the Recording Academy / GRAMMYs, please consider this critically acclaimed work during this awards season. 

~ Links to listen at: www.peppergreenmedia.com/seqwav.html ~

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary new recording

FA-2018-cover-721-800

new recordings + bonus tracks

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

The Detroit Music Awards

DSOCopland

It was an honor to be nominated for Outstanding Classical Recording in The Detroit Music Awards and my warmest congratulations to winner The Detroit Symphony Orchestra for their recording of Aaron Copland‘s “Symphony No. 3.”

I mean, who wouldn’t be humbled to step aside for the work that contains “Fanfare for the Common Man“?

#thumbsup !!!

Detroit Music Awards Nomination!

DMAProgram-PatrickGrant-1200

Thank you Detroit Music Awards 2018 for nominating my album “A Sequence Of Waves” for OUTSTANDING CLASSICAL RECORDING. An even bigger thanks to all of the musicians, artists, and engineers who helped create it.

If you or anybody you know is a member of the DMA Foundation, please vote! The award ceremonies will take place at The Fillmore Detroit on May 4th

Patrick Grant

https://www.detroitmusicawards.net/

https://www.detroitmusicawards.net/nominees

dma-logo-2018 copy