The New Music Gathering begins one week from today! We’re looking forward to being a part of it and to all the wonderful work we’ll see and hear! Visit our project page: https://tinyurl.com/cwcblockchain
International Strange Music Day 2021
More details TBA
OCTOBER SURPRISE! A Devil’s Night treat from Tilted Axes for Halloween 2020!
Please enjoy this new music from Tilted Axes. You can listen for free on our Bandcamp page or our Soundcloud page. Our work is supported by the public and is made available to you free of charge. However, if you do wish to contribute, Satan’s Little Circus is downloadable for $1 on Bandcamp.
Patrick Grant & Tilted Axes
SATAN’S LITTLE CIRCUS
Tilted Axes: Music for Mobile Electric Guitars
featured musicians on this recording:
Electric Guitar: Steve Ball, Daniel Reyes Llinas, Patrick Grant
Electric Bass: Dan Cooper, Patrick Grant
Drums & Percussion: John Ferrari
Produced by Patrick Grant/PGM
Recorded at The Whammy Bar (NYC)
and The Ferrari Factory (NJ)
Mastered by Sheldon Steiger
Composer: Patrick Grant
Publisher: Peppergreen Media (ASCAP)
This release is made possible through the vision and generosity of our Past-Present-Future Fall 2020 Co-Producers and Tilted Team members: Aaron Alter, Adam Levin, Aileen Bunch, Alex Durante, Amy Sue Quinn, Andrew Marks, Anthony Garone, Bob Kaufman, Chad Ossman, Chris Simpson, Christoph Goetzen, Christopher Gibbons, Courtney Gowan, Dan Gentges, Daniel Rothbart, Dave Grieg, DB Cooper, Deb Calvert, Detroit Guitar, Eleonor Sandresky, Eric and Tracey Wolfe, Eric Anderson, Erik Grant, Erin Leen, Erin Victoria Wigger, Gael Grant, Garry Rindfuss, Greg Meredith, Gwen Deely, Henry Lowman, Jason Goldstein, Jeff Georgas, Jeffrey Adams, Jim Schaeffer, Joel Blumsack, Jon Diaz, Jude Traxler, Julia Knevels, Jürgen Mühle, Kathy Starkey, Keith Vanden Eynden, Lynn Bechtold, Manfred Kohl, Marc Mellits, Maria Tegzes, Matthias Neumann, Michael Fisher, Mike McKenna, Milica Paranosic, Peter Kaufman, Pietro Russino, Ralph Valdez, Sandra Prow, Saori Tsukada, Sean and Laura Biggs, Steve Ball, Susan Montgomery, Teresa Peacock, Tom Peyton, Tony Weitner, Zero Boy, and anonymous individuals and organizations.
© 2020 all rights reserved
1 of 3 (string orchestra version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2008 by Patrick Grant / www.StrangeMusic.com, performed by SONYC: String Orchestra of NYC
2 of 3 (electric guitar version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2013 by Patrick Grant, performed by Tilted Axes: Music for Mobile Electric Guitars and recorded as “Rivera Court” ℗ 2016 PGM1601 (ASCAP). Premiered March 20, 2013 at the Detroit Institute of Arts, Detroit, MI
3 of 3 (techno music version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2011 by Patrick Grant / www.StrangeMusic.com, performed by Hi-Q
AN IMPORTANT ANNOUNCEMENT
ABOUT THE IGNITE THE ARTS LIVESTREAM
We want to begin by acknowledging that this has been a difficult two weeks for many, our team included. We hope you are well and safe.
We’ve made the decision to postpone this week’s telethon.
We chose the date for this event prior to the start of worldwide protests seeking justice for the murders of George Floyd, Tony McDade, and Breonna Taylor, to name but a few of the most recent victims of white supremacy and police violence in our nation. These protests have accomplished an incredible amount in a short time, and it is our fervent wish that the progress continues unabated when so much still needs to be done.
We believe that proceeding with the telethon as planned would be out of step with what the present moment requires. Attempting to generate attention for this event when it is needed elsewhere would be antithetical to our commitment to opposing racism and oppression.
We also acknowledge that the COVID-19 pandemic continues to impact the lives and livelihoods of artists, disproportionately affecting communities of color. Until we can produce a fully-fledged telethon at an appropriate time, we still want to amplify the work of our artists by sharing it with our larger network.
Specifically, if you’re using your platform as an artist to dismantle white supremacy and advance the goals of the Black Lives Matter movement, we would like to feature your work on social media and/or in our blog. Please complete this brief survey to quickly let us know about your antiracism work as an artist. We’ll be in touch if and when there is an opportunity to feature your project.
Rest assured, we still plan to produce this telethon event (and others like it) with your fiscally-sponsored project featured in the lineup. If you’ve already started spreading the word about this telethon and invited folks to our Facebook event, you have our thanks, not only for promoting the event but also for understanding the need to disrupt the plan. You can share this announcement with your audiences via the URL below.
We’ll be in touch soon with more info and rescheduled dates. Thank you for again for your flexibility and understanding.
The Team at Fractured Atlas
FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!
Official entries for your consideration…
1. Best Contemporary Instrumental Album
Fields Amaze and Other sTRANGE Music
2. Best Instrumental Composition
3. Chamber Music/Small Ensemble Performance
Imaginary Horror Film – Part 2
First Round voting begins Sept. 25
Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise
All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer
All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.
Thank you everybody who have so far supported our upcoming 27th Annual Concert of Colorsperformances at the Michigan Science Center and the Detroit Institute of Arts. We just crossed the 50% mark toward our goal of $4500. Your tax-deductible support goes toward our dozen and a half musicians for their time and talent, the cost of our rehersal space, cartage, ads, and other essentials that enables us to bring our performances free of cost to the public.
The festival itself and our partner museums provide excellent opportunities for the group to offer transformative experiences that are free of charge to the Detroit community. Still, Tilted Axes is entirely self-funded and relies on your generous support to pay for its musicians, rehearsal space, and other administrative costs. Please consider joining our team and contribute to Detroit’s musical history!
This month will see the completion of a particular project that has long been a dream of mine: music for live ensemble in a planetarium. The idea is to engage the public in science through music and art. Thanks to the 27th Annual Concert of Colors, the Michigan Science Center, and the Detroit Institute of Arts, I’ve had the opportunity to develop new music for Tilted Axes: Music for Mobile Electric Guitars that commemorates the 50th anniversary of Apollo 11’s lunar landing in a work titled, “MOONWALK.” My aim is to take this newly developed piece and similar work to other planetariums across the country in the months and years to come.
By becoming a co-producer of our event, you are eligible for all kinds of awards like CDs, T-Shirts, etc.
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Meet the performers and producers of Tilted Axes Detroit: Concert of Colors HERE
Tilted Axes is…
With the project is in its ninth year, its surprising to hear when some people find it unclear what Tilted Axes is or is not. Here’s a short list of 10 things that was created to point people in the right direction. Pardon the third person…
1. Tilted Axes is a musical project created by composer Patrick Grant.
2. Tilted Axes is a procession of electric guitarists who wear mini-amps.
3. Tilted Axes can perform anywhere there are people, excelling in untraditional venues.
4. Tilted Axes’ roster of musicians can change from performance to performance, city to city.
5. Tilted Axes’ musicians learn a common repertoire created by PG and rehearse it in workshops.
6. Tilted Axes performances are free to the public and are supported through institutional and/or private donations.
7. Tilted Axes takes on aspects of spectacle informed by municipal band tradition, avant-garde theater, and world music.
8. Tilted Axes takes music out into the world and seeks transformative projects meant to change community conversation.
9. Tilted Axes is an apolitical organization, but it does support science, arts programs, and renewable energy whenever possible.
10. Tilted Axes works best when it is part of something bigger than itself i.e. festivals, exhibitions, community initiatives, astronomical events.
Every little will help create a new musical work that will resonate for a long time.
Thank you all for your time and consideration,
Patrick Grant & Tilted Axes: Music for Mobile Electric Guitars
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International sTRANGE mUSIC Day 2014 Performance Soiree
Sunday, August 24th @ SPECTRUM, 121 Ludlow St., NYC
Tickets $15 – Doors open at 6:30 pm with trouble to begin at 7:00 pm
PDF Press Release
NEWSFLASH: All attendees of the INTERNATIONAL STRANGE MUSIC DAY performance at Spectrum NYC on Aug. 24th are eligible to enter our FREE raffle. The Grand Prize? A single ticket to the KING CRIMSON concert on Sept. 21st in NYC, Orchestra Center, Row GG, Seat 101. Why only one ticket? Out of sympathy for the poor date that always gets dragged along. We’re showing some mercy.
AUGUST 24th is International sTRANGE mUSIC Day. It’s a real holiday, yes it is. To celebrate, some of the NYC area’s best and brightest composers and performers are getting together to have a very unserious session of music making. This as an opportunity to for them to share unusual sounds, unusual instrumentation, and unusual compositions rarely heard or new ones that will never be heard from again.
For the 2014 celebration, creator Patrick Grant/Peppergreen Media partners up once again with NYC’s Lower East Side high-tech chamber-salon Spectrum NYC where the 2012 event was held. This is the perfect venue for such an event since its capabilities will enable strange musicians and performers of all stripes to push the envelope into uncharted territory.
Celebration in São Paulo: Making this a truly international event, there will be a Strange Music Day sister spectacle taking place at exactly the same time at the Paco Das Artes in São Paulo, Brazil presented by the Orchestra Descarrego. More iNFO via their Facebook event page HERE.
A SPLENDID ORCHESTRA
is in town, but has not been engaged
were in contemplation for this occasion, but the idea has been abandoned
A GRAND TORCHLIGHT PROCESSION
may be expected; in fact, the public are privileged to expect whatever they please.
NYC PERFORMERS TO INCLUDE…
Cristian Amigo & Angela Babin
Guitarists Angela Babin and Cristian Amigo perform Empty Form Duo #5, a piece based on the non-dualistic idea of form/emptiness. Babin was a founding mother of the band The Ordinaires who received critical acclaim in the 80s in the Downtown NY music scene. She met Amigo (Guggenheim Fellow, guitarist, and songwriter) while playing Elliott Sharp’s Syndakit. During an extended wait for the subway they formed their collaboration for the Gotham Roots Orchestra via a mutual appreciation for the blues. They will keep it sTRANGE.
Violinist/composer Lynn Bechtold has appeared in recital throughout NA and Europe, and has premiered works by composers including Gloria Coates, George Crumb, John Harbison, Alvin Lucier, and Morton Subotnick. She is a member of groups including Zentripetal Duo, Bleecker StQ, Miolina, and SEM, and her performances have been broadcast on various TV/radio, including WNYC, 30 Rock, CBS Morning Show, and Good Day NY. She has appeared at venues from Lincoln Center and Carnegie Hall to LPR and Joe’s Pub. Her electroacoustic compositions have been performed on festivals such as the Composers Concordance Festival and Kathleen Supove’s Music With A View.
Jason Belcher is a composer & multi-instrumentalist who studied at the New England Conservatory in Boston. He led several performance projects as a student, including a revival of music by Burr Van Nostrand, a composer whose most adventurous scores went unheard for 42 years. As a result of this project, a disc of Burr’s work was released by New World Records in 2013. Belcher currently lives and works in New York, where he is active in projects with other young improvisers.
Chime’s Swing Number 89, inspired by a set of chimes given to Tom Burnett in 1989 by the late performer and artist Winchester Chimes, is part of a continuing series of performances dating back to 1989. This performance is coincidentally the eight-ninth. Other venues have included the Bardavon Theatre, Joe’s Pub, the Kitchen, the occasional rock quarry, church, and the Canal Street subway station.
Ken Butler is an artist and musician whose Hybrid musical instruments, performances, and installations explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. He has performed and exhibited throughout the USA, Canada, and Europe including The Stedelijk Museum, The Prada Foundation in Venice, Mass MoCA, The Kitchen, The Brooklyn Museum, The Queens Museum, Lincoln Center, and The Metropolitan Museum as well as in South America and Asia. Butler has been reviewed in The NY Times, The Village Voice, Artforum, Smithsonian, and Sculpture Magazine and has been featured on PBS, CNN, MTV, and NBC’s The Tonight Show.
Constance Cooper improvises instrumentally and vocally, in concert —today, Solo With Stadium Blanket — and for theater, using two keyboards tuned a quartertone apart. She belongs to ArtStar, which includes live painting and audience drawing, and to the women’s a cappella acoustic trio Arc Welding. Some years ago she designed an improvisation work for the cellist Ernst Reijseger, who began the performance, then stood up, walked around while playing, and then deliberately got entangled with the branches of a large potted plant. He later said that he had always wanted to be a tree.
Glenn Cornett runs Spectrum NYC, the performance venue/gallery on Manhattan’s Lower East Side that supports innovation and virtuosity in the arts. He is a composer/performer, playing guitar, keyboards, electronics, etc. Founder of two biotechnology companies – Pastorus (autism, other CNS disorders) and Navitas (cardiovascular, metabolic diseases). He has worked at McKinsey and Eli Lilly. Education: MD with Distinction in Research from the University of Michigan; PhD in neuroscience from UCLA, dissertation on human deep-brain responses to musical stimuli. He has a black belt in karate and has run nine marathons, including Istanbul in November 2013.
GangBhang is a collective of inattentive plus ultra performers from different “walks” of life that include secular and non-secular attitudes and fashions. This time presents a very exciting, but hopefully boring, performance with the very devices that (usually) break our connection with the real world. The performers are Balldie on iPhone, Mojas on Maschine, and Preachermac on iPad.
portrait by Ted Berkowitz
Patrick Grant creates musical works that are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and amplified instruments. He is the creator of International Strange Music Day (August 24) and the creator/pioneer of the electric guitar procession Tilted Axes.
Amy & Alex Hamlin
Amy & Alex Hamlin are a husband and wife team who enjoy their cats, Walter & Boris, their garden, & traveling to exotic places. They are the founders of the 7-piece soul/rock band Amy Lynn & The Gunshow. The duo is enjoying experimenting more with voice and baritone sax with the music from The Gunshow. Together and apart they have played all over the country with acts such as Yo La Tengo, St. Vincent, Beth Hart, Duffy, The National, Spoon, and Red Barrat.
Niloufar Nourbakhsh started learning piano at the age of nine at Sarang Institute of Music located in Karaj, Iran. At the age of fifteen, she won the 2nd Prize of Iran’s National Piano Biennale Competition and performed at Tehran’s Roudaki Concert Hall twice as a participant of The Music Festival from Classical to Modern. She is a music and math graduate of Goucher College and Oxford University. She has participated in numerous music festivals as a pianist and a composer such as New Paltz Piano Summer, Atlantic Music Festival, and the Rhymes with Opera Workshop. She is currently working at Brooklyn Music School Summer Institute as a teaching artist.
Lorin Roser is a multimedia artist fascinated with the expression of mathematics. He utilizes algorithms in his musical compositions and physical simulations in his 3D animations. Recent music is created with realtime manipulation of polynomials. This work began in the 80s and was ported to Reaktor in 2004. The realtime was not possible until recent advances in computing. As a musician, Roser has performed at CBGB’s, Bowery Poetry Club, the Emily Harvey Foundation with Larry Litt, White Box with Elliott Sharp, and events for curator/performance artist A. Schloss.
Zero Boy is an East Village icon who uses a unique blend of sound and mime, the results being something akin to a performed comic book. He can be seen on the upcoming Nickelodeon show Alien Dawn as the evil Dr. Drago. He appeared Off-Broadway in the Yllana Production of ‘666’, and has performed regularly on NPR’s The Next Big Thing in a special “Stump Zero Boy” segment. He has been seen on the Fox and Friends, Good Day New York and MTV.
“In 1999 I declared August 24th randomly as Strange Music Day. It gave me an opportunity to come up with a cool graphic and drive home a point that I still believe in to this day: it is always good to listen and play music that we are unfamiliar with. It keeps our ears and outlook fresh. Around 2002, I started noticing that various summer schools were picking up on it as an actual holiday….Once I started seeing postings coming from Europe, I changed the name to International Strange Music Day. It’s just been getting bigger every year….” – Patrick Grant
“Recently I’ve been taking it a step further and we had the first International Strange Music Day Performance Soiree in 2012. I asked the New York new music community to submit their ideas and apply for spots on the concert. I wanted to see a lot of new music notables perform music that they were not usually associated with, to be willing to explore uncomfortable places, to reveal their guilty pleasures and hidden parlor tricks to the public. It was a blast! It was just one those things that came together and happened so well. I and everybody involved are already looking forward to raising the bar for the next event. You have been warned!” – International sTRANGE mUSIC Day creator, Patrick Grant, Exploring the Metropolis
“International Strange Music Day was created by Patrick Grant, a New York City musician. The premise is simple: to get people to play and listen to types of music they have never experienced before. The ‘strange’ part can mean either unfamiliar or bizarre – the choice is entirely yours. Patrick believes broadening people’s musical spectrums can also change the way we look at other aspects of life – his mantra is ‘listening without prejudice’. This growing movement has concerts, a record label and strong support from summer schools, where it is appreciated as a great way to stimulate young minds. Have you ever wanted to combine a tight Wonder Woman costume, a frozen turkey drumstick and an inflatable wildebeest into a percussion concert? International Strange Music Day gives you the perfect excuse. What you do with these items once the music stops, of course, is your business… “ – Days of the Year