Winter Luminaria w/ Tilted Axes: Cold Moon Consort

Winter Luminaria with Tilted Axes: Cold Moon Consort
Make Music Winter NYC – Dec. 21


Winter Luminaria with Tilted Axes: Cold Moon Consort
Sasaki Garden in Washington Square Village through Greenwich Village and back. Event begins at 5:00pm and runs 120 minutes.

ALL new & returning guitarists MUST apply via this form:
https://goo.gl/forms/nCoH54rSa7lQtiRA2
Positions in the ensemble are limited. Please apply ASAP. Please share.

Composer Patrick Grant and Tilted Axes: Music for Mobile Electric Guitars, in partnership with NYU Faculty Housing Happenings, present an evening of innovative musical performance featuring a procession through Greenwich Village that begins and ends with a solstice soundscape in honor of Sasaki Garden set aglow with enchanting lights. The evening’s musical commission is titled “Cold Moon Consort” in reference to 2018’s winter solstice and the December full moon occurring within the same day. Arrive at Sasaki Garden at 5:00pm and receive a small flashlight to participate in the spectacle and illuminate the performance route.

WHEN & WHERE:
The music procession kicks off in Sasaki Garden, located in Washington Square Village, just north of Bleecker Street and west of Mercer Street, at 5:00pm and wends its way throughout Greenwich Village before returning to the garden for the finale.

HOW TO JOIN:
Just arrive at Sasaki Garden by 5:00pm to receive a small flashlight to participate in the spectacle and illuminate the performance route!

ABOUT THE PROGRAM CREATOR, COMPOSER AND CONDUCTOR:
Tilted Axes was created in 2011 for the inaugural Make Music Winter festival by Detroit-born, NYC-based composer/performer Patrick Grant. Tilted Axes cuts musical pathways through the urban landscape, turning neighborhoods into their own sonic narratives. Since its inception, Grant has produced a number of Tilted Axes processions in various cities upon three continents.

ABOUT NYU FACULTY HOUSING HAPPENINGS:
NYU Faculty Housing Happenings include occasional open to the public community events designed to celebrate outdoor spaces on the superblocks headlined by Sasaki Garden, one of the finest modernist landscapes in the city. Recommended by the Superblock Stewardship Advisory Committee, community events are generously supported by Provost Katherine E. Fleming and organized by Erin Donnelly, Community Liaison, Office of Faculty Housing & Residential Services. More info at https://www.nyu.edu/faculty/faculty-housing/happenings/Winter_Luminaria.html

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“A Sequence of Waves” is a 3x official entry in the 61st Grammys

“A Sequence of Waves” is an official entry in the 61st Grammy Awards Nominations!

61st GRAMMY AWARDS ENTRIES – It’s a thrill to see Patrick Grant‘s contemporary instrumental album A SEQUENCE OF WAVESthe arrangements w/vocals “Seven Years at Sea” and “One Note Samba,” entered into the first round of nominations. entered into the first round of nominations. 

If you are a voting member of the Recording Academy / GRAMMYs, please consider this critically acclaimed work during this awards season. 

~ Links to listen at: www.peppergreenmedia.com/seqwav.html ~

Award-winning vocal group ROOMFUL OF TEETH mixed by sTRANGE Music’s Patrick Grant for Public Radio’s STUDIO 360

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Composer/producer Patrick Grant / sTRANGE Music contributed distinctive musical mixes to this week’s episode of Studio 360 with tracks performed by ROOMFUL OF TEETH. This episode includes musical selections composed by Pulitzer Prize winner Caroline Shaw, Rinde Eckert, and more. Listen online, download as podcast, or find it on a public radio station near you.

RoomTeethPlan

Roomful of Teeth is a cutting-edge, eight-person vocal ensemble that commissions and performs music of all sorts of genres and techniques from all over the world. They’ve studied yodeling, Tuvan throat singing, Sardinian cantu a tenore, Korean pansori, etc.

“We study with masters from these other singing traditions and get some degree of comfort and flexibility from those interactions,” explains founder and director Brad Wells. “And then the commissioned composers observe that process, hear what the singers are capable of and then explore, ‘Given these possibilities what might I create?’

Episode: https://www.pri.org/stories/2018-08-02/roomful-teeth-around-world-eight-voices

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Studio360: https://www.pri.org/programs/studio-360

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary edition

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remixed + remastered + bonus tracks
coming soon

Press Release 7/21 update

Recorded at Philip Glass’ Looking Glass Studios and at sTUDIO 41 NYC.
Originally released on the sTRANGE Music label.

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

Tracks 2, 3, 4, 5 recorded and edited at The Looking Glass Studios, NYC, 1997 – Garry Rindfuss: recording engineer – Dante DeSole: asst. engineer and editor – Ryoji Hata: asst. editor – Amanda Riesman: administration – gamelan instruments provided by Barbara Benary and Gamelan Son of Lion – large kendang drum and additional gongs provided by Skip LaPlante and Music for Homemade Instruments – originally released on the album Attack Decay Sustain Release by sTRANGE Music Records 1998 – Tracks 1, 6, 7, 8, 9 recorded at sTUDIO 41, NYC, 1998-2000 – Patrick Grant: recording engineer and editor – originally released as a Special Edition EP for the Brooklyn Academy of Music (BAMcafé Live) by sTRANGE Music Records, 2000.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

Interview: It’s Psychedelic Baby! Magazine

“The NYC-based composer and performer Patrick Grant has had a long and gleaming career that continues on with his newest release, A Sequence of Waves (Twelve Stories and a Dream). The album is a refined collection of genre-bending and experimental tracks that many critics struggle to pin down. Stumbling into post-minimalism, modern classical, prog rock, and post-rock territory, the album wears many masks. And for good reason, given Grant’s accomplished background.”

Read the interview in It’s Psychedelic Magazine Baby HERE

The Detroit Music Awards

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It was an honor to be nominated for Outstanding Classical Recording in The Detroit Music Awards and my warmest congratulations to winner The Detroit Symphony Orchestra for their recording of Aaron Copland‘s “Symphony No. 3.”

I mean, who wouldn’t be humbled to step aside for the work that contains “Fanfare for the Common Man“?

#thumbsup !!!

Echoes and Dust (UK) Interview with Patrick Grant

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The creator of Tilted Axes: Music for Mobile Electric Guitars discusses his recent album A Sequence of Waves and his Detroit Music Awards nomination for Outstanding Classical Recording.

“Only classical compositions and that kind of inter-related album architecture could pull together elements of rock, world, and techno into a cohesive whole that goes beyond mere pastiche and that is integrated into its core.” Ljubinko Zivkovic chats to experimental / prog musician Patrick Grant.

Read the complete interview HERE