Remote Recording Workshops Spring ’21

Remote Recording Workshops Spring ’21
Opt. 1: Thursday nights, April 8, 15, 22 from 7:00pm to 8:30pm EDT
Opt. 2: Sunday afternoons, April 11, 18, 25 from 1:00pm to 2:30pm EDT
These will all be conducted over Zoom – details TBA

APPLY NOW: https://forms.gle/otvLTMQkXuaRyH9S8

These spring courses are for new participants who did not attend any previous workshops. Placement is limited.

These courses are FREE to accepted participants. Fees are funded by the generous supporters of Tilted Axes: Music for Mobile Electric Guitars. These courses are given by Patrick Grant, composer, performer, and educator.

The aim of these workshops is to teach recording techniques as a participant in collaborative online projects either as a performer or a producer. A basic understanding of the physics of sound, acoustics, and microphones will be given. We will use the audio application Ableton LIVE as a Digital Audio Workstation as well as a compositional tool for all styles of music.

*** Through this work we can grow our creative community beyond the limitations we all experience. ***

The course is designed for Mac and PC users, laptops or desktops. Sorry, no tablets or smart phones. You must have a working audio interface to participate. This should be set up and running before we begin. If you require help, you should ask for assistance, but there’s plenty of resources out there for you.

If you need to purchase a good audio interface, we recommend the Focusrite Scarlett 2i2, but there many you can chose from.

For this course you can use an electric guitar, electric bass, electronic keyboard, or a good microphone and/or an acoustic instrument of your choice to participate. We just want you to use something that will make recording fun for you.

As stated above, we use Ableton LIVE as our default software. It works equally well on Mac or PC. If you need a copy of Ableton, you can download and use a functioning FREE trial version for 90 days at https://www.ableton.com/

The course syllabus is:

SESSION 1 – The Basic Physics of Sound – checking your interface, setting levels, creating and using a template for Tilted Axes (and other projects), initial recording, multiple takes, bouncing out your audio, Assignment A.

SESSION 2 – Acoustics: The Behavior of Sound in a Room – Post-Production, FX = Frequency, Dynamics, and Time, creating a multitrack recording, editing, panning, bouncing out your edited audio, Assignment B.

SESSION 3 – Microphones – miking techniques, multi-track recording over Zoom, extended editing techniques, paths toward more creative composition, the completion of the course.

Upon completion, participants will receive a number of professional and university level resources to take with them.

NOTE: Space is limited and these workshops often go into a waiting list. As a courtesy to all other applicants, please only apply if you intend on being at all three sessions. Sorry, partial attendance does not work for this course.

Some good words from Remote Recording Workshop participants:
http://www.peppergreenmedia.com/RRW_goodwords.pdf

APPLY NOW: https://forms.gle/otvLTMQkXuaRyH9S8

Music for “Coastal Requiem” a short film by Diane Tuft

aa44aaea-3965-4571-ac7c-b496cc015fbf

For its 50th Anniversary, Earth Day 2020 will be a worldwide 24-hour virtual event. ‘COASTAL REQUIEM‘, a short film by Diane Tuft, will be premiered at some point between 12:00PM and 2:00PM EDT.

Patrick Grant created the sound design and score for this film, inspired by classical music, and performed by the brilliant cellist Sterling Elliott.

Tune in Wednesday, April 22nd for this and other digital events at www.earthday.org. #earthday #earthday50 

FIELDS AMAZE Gets Three Entries in the 62nd Grammy Awards®!

JDB-BGRAMMYS

http://www.strangemusic.com/famaze.html

FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!

Official entries for your consideration…

1. Best Contemporary Instrumental Album

Fields Amaze and Other sTRANGE Music

2. Best Instrumental Composition

Keeping Still

3. Chamber Music/Small Ensemble Performance

Imaginary Horror Film – Part 2

First Round voting begins Sept. 25

Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary new recording

FA-2018-cover-721-800

new recordings + bonus tracks

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

Interview: It’s Psychedelic Baby! Magazine

“The NYC-based composer and performer Patrick Grant has had a long and gleaming career that continues on with his newest release, A Sequence of Waves (Twelve Stories and a Dream). The album is a refined collection of genre-bending and experimental tracks that many critics struggle to pin down. Stumbling into post-minimalism, modern classical, prog rock, and post-rock territory, the album wears many masks. And for good reason, given Grant’s accomplished background.”

Read the interview in It’s Psychedelic Magazine Baby HERE

Echoes and Dust (UK) Interview with Patrick Grant

echoes1

The creator of Tilted Axes: Music for Mobile Electric Guitars discusses his recent album A Sequence of Waves and his Detroit Music Awards nomination for Outstanding Classical Recording.

“Only classical compositions and that kind of inter-related album architecture could pull together elements of rock, world, and techno into a cohesive whole that goes beyond mere pastiche and that is integrated into its core.” Ljubinko Zivkovic chats to experimental / prog musician Patrick Grant.

Read the complete interview HERE