FIELDS AMAZE (& other sTRANGE Music) 20th anniversary edition

FA-2018-cover-721-800

remixed + remastered + bonus tracks
coming soon

Press Release 7/21 update

Recorded at Philip Glass’ Looking Glass Studios and at sTUDIO 41 NYC.
Originally released on the sTRANGE Music label.

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

Tracks 2, 3, 4, 5 recorded and edited at The Looking Glass Studios, NYC, 1997 – Garry Rindfuss: recording engineer – Dante DeSole: asst. engineer and editor – Ryoji Hata: asst. editor – Amanda Riesman: administration – gamelan instruments provided by Barbara Benary and Gamelan Son of Lion – large kendang drum and additional gongs provided by Skip LaPlante and Music for Homemade Instruments – originally released on the album Attack Decay Sustain Release by sTRANGE Music Records 1998 – Tracks 1, 6, 7, 8, 9 recorded at sTUDIO 41, NYC, 1998-2000 – Patrick Grant: recording engineer and editor – originally released as a Special Edition EP for the Brooklyn Academy of Music (BAMcafé Live) by sTRANGE Music Records, 2000.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

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Exploring the Metropolis – 2012-2013 Con Edison Composers-in-Residence

Announcing the 2012-13 Con Edison Composers-in-Residence

(New York City – July 26, 2012) Exploring the Metropolis is pleased to announce the eight composers chosen for the 2012-13 Con Edison Musicians’ Residency: Composition Program.  These eight composers will begin their residencies in September.

In its fourth year, this residency program will provide composers with a stipend and three months of free workspace in cultural and community facilities. All composers must complete one free public program in cooperation with the host facility. The four host cultural facilities are Bloomingdale School of Music, Brooklyn Youth Chorus Academy, Flushing Town Hall, and Turtle Bay Music School.

The eight composers are: Guy Barash, Jeff Fairbanks, Patrick Grant, Gabrielle Herbst, Molly Herron, Elizabeth Lim, Theodore Metz and Jeff Myers. The 2012-13 Composers-in-Residence are active in the New York music community, and have had works performed in diverse and innovative venues, such as The Stone, Galapagos Art Space, Roulette, HERE Arts Center, New York City Opera, and Issue Project Room.  Their work spans classical, musical theater, pop, opera, jazz and electronic.

Composers were chosen by a jury of professional musicians, composers, curators and administrators.  Composers were chosen based on artistic merit and suitability of their proposed project for the host organization.  Panelists will be announced in the coming days. For the second year, the New York Foundation for the Arts generously donated space for panel deliberations.

The Con Edison Musicians’ Residency: Composition Program is funded by Consolidated Edison, Credit Suisse, the George L. Shields Foundation, the Christian A. Johnson Endeavor Foundation, AOH Foundation, DJ McManus Foundation and individuals. The Con Edison Musicians’ Residency: Composition Program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and Office of Council Speaker Christine C. Quinn. This program is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

More information on the 2012-13 Con Edison Composers-in-Residence can be found on the Exploring the Metropolis website.

Will You Be Performing Sitting Up or Standing Down?

Patrick Grant’s “Lucid Intervals,” an ostinato for (virtual) violin solo, hammer dulcimer, string quartet, vibraphone, electric bass, timpani, congas, and prepared piano.

Performing “Lucid Intervals” on the Nano Rig at the Composers Concordance “Composers Play Composers” Marathon at DROM NYC, Jan. 31, 2010.

Korg Nanos in rehearsal. 

Created for the Composers Concordance “Composers Play Composers” Marathon, Jan. 31, NYC. Original music & video editing by Patrick Grant. Prepared piano samples used courtesy of David Borden. © MMX strangemusic

Patrick Grant