For Your 2019 GRAMMY AWARDS® Consideration

“FIELDS AMAZE and other sTRANGE music”
by Tilted Axes creator Patrick Grant
new recordings from his classic catalog

* Contemporary Instrumental Album
* Instrumental Composition: “Keeping Still”
* Chamber Music / Small Ensemble Performance: “Imaginary Horror Film – Part 2″

The 62nd GRAMMY AWARDS® First Round Voting begins September 25th
Listen on Soundcloud: http://bit.ly/2n1Phue
More iNFO: http://bit.ly/2mtfemf

Cuming Co, Supercell

FIELDS AMAZE Gets Three Entries in the 62nd Grammy Awards®!

JDB-BGRAMMYS

http://www.strangemusic.com/famaze.html

FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!

Official entries for your consideration…

1. Best Contemporary Instrumental Album

Fields Amaze and Other sTRANGE Music

2. Best Instrumental Composition

Keeping Still

3. Chamber Music/Small Ensemble Performance

Imaginary Horror Film – Part 2

First Round voting begins Sept. 25

Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

FIELDS AMAZE (& other sTRANGE Music) 20th anniversary new recording

FA-2018-cover-721-800

new recordings + bonus tracks

1. Keeping Still
extended percussion quintet

2. Fields Amaze
homemade gamelan and microtonal keyboard

3. A Visible Track of Turbulence 1
flute, clarinet, and piano 4-hands

4. Everything Distinct: Everything the Same
three keyboards in Gb just intonation and three percussion

5. A Visible Track of Turbulence 2
flute, clarinet, and piano 4-hands

6. Imaginary Horror Film 1
chamber prog ensemble

7. The Weights of Numbers
aka Fractured Fictions 
three keyboards and drums

8. Imaginary Horror Film 2
chamber prog ensemble

9. If One Should Happen to Fall
six words vs. thesaurus

“…a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism … the music’s momentum and intricate cross-rhythms rarely let up, making the occasional infectious tunes that emerge all the more beautiful for surprise.” – The Village Voice

Patrick Grant: piano, keyboards, electric guitars, gamelan, percussion – Kathleen Supove & Marija Ilic: keyboards – John Ferrari: drums & percussion – Barbara Benary: additional gamelan – David Simons: Balinese percussion & theremin – Keith Bonner: flute – Thomas P. Oberle: clarinet – Darryl Gregory: trombone – Martha Mooke: viola – Maxine Neumann: cello – Mark Steven Brooks: electric bass – Alexandra Montano: vocalise – Lisa Karrer: lead vocal on If One Should Happen to Fall.

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Cover photo Cuming Co. Supercell, June 14, 2013 taken by Dave Rebot and used with permission. Album artwork, layout, and design by Eric Iverson. Peppergreen Media logo by Steve Ball. CD image collage created from Elément bleu XII, 1967 by Jean Dubuffet, photo credit: sTRANGE Music Inc.

Thanks and acknowledgements: The Braunschweig Family, Coudert Brothers, Bank Julius Baer, Matthews Panariello P.C., Chris LaBarbiera, Patricia McKenna, Context Studios, Music Under Construction, Philip Glass, Kurt Munkacsi, Jed Distler & Composers Collaborative Inc., Music for Homemade Instruments, Erik Satie, Kyle Gann & The Village Voice, The Bang on a Can Marathon, Stéphane Martin and the musée du Quai Branly – Jacques Chirac, The Ross Institute, The Knitting Factory, Patrick Grant Group, I Wayan Lantir, STSI/ISI Denpasar, Gamelan Son of Lion, Celebrate Brooklyn!, Johnny Reinhard & The American Festival of Microtonal Music, The Fractal Music Lab, James Gleick author of Chaos: Making a New Science, The Margaret Jenkins Dance Company, The Brooklyn Academy of Music, Harvey Lichtenstein, The Mark Morris Dance Group, The Prix de Lausanne, Exploding Music, The Living Theatre, Kalvos & Damien’s New Music Bazaar, Annina Nosei Gallery, John Schaefer, WNYC’s New Sounds, Ralph Valdez, WDET Radio, James Moore & Independent Music Promotions Inc., Jocelyn Gonzales, The NYU Tisch School of the Arts, Roget’s Thesaurus.

“DETROIT INDUSTRY” by Diego Rivera, music by Patrick Grant

1 of 3 (string orchestra version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2008 by Patrick Grant / www.StrangeMusic.com, performed by SONYC: String Orchestra of NYC

2 of 3 (electric guitar version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2013 by Patrick Grant, performed by Tilted Axes: Music for Mobile Electric Guitars and recorded as “Rivera Court” ℗ 2016 PGM1601 (ASCAP). Premiered March 20, 2013 at the Detroit Institute of Arts, Detroit, MI

3 of 3 (techno music version), The Diego Rivera murals at the Detroit Institute of Arts, music © 2011 by Patrick Grant / www.StrangeMusic.com, performed by Hi-Q