Angela Babin: Strings and Things

 

On this episode of Strings and Things, Angela Babin drops by to work on a Melody Maker that hasn’t been out and about in years, while our host Patrick Grant restrings his studio-weary Les Paul. They’ll swap stories about the weirdest gigs they’ve played in New York City, and talk about how numbers and math inspire Angela’s current compositions. Then they’ll amp up for a special Strings and Things duet.

ST_angela2

ST_angela1

Since picking up the electric guitar at 14 years old, over the years Angela’s performed in a wide range of venues, from Folk City and CBGBs, to BAM and the Berlin Jazz Festival. She entered the downtown New York music scene with the band Off Beach, and played guitar in the nine-piece experimental rock group The Ordinaires. The Ordinaires were compared to Philip Glass, Captain Beefheart, Henry Mancini, Husker Du and Stravinsky – all at the same time! You may remember their cover of “Kashmir” was all over MTV at the time:

Ordinaires

Angela performed with Homer Erotic, founded by poets Maggie Dubris and Barbara Barg, as well as the groups Alpha Cat, Inviolate, The Raging Hormones, and The Blacklite Orchestra. She’s currently playing guitar with the blues-based Gotham Roots Orchestra, formed by composer/producer Cristian Amigo.


photo by Marc Latrique

There’s a great blog post on the Prepared Guitar website where you can find out much more about Angela Babin and her work. Check it out!

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TILTED AXES @ CONCERT OF COLORS IN THE PRESS

Here’s a collection of some of the press and photo coverage that came out of it (videos & recordings asap):

FLICKR Photos – TILTED AXES @ Concert of Colors – photos are all downloadable – credit: Jocelyn Gonzales
Dress Rehearsal in the Funk Lab at United Sound: https://www.flickr.com/photos/kimba2/sets/72157653692200003
CofC – Tilt 1 – July 11: https://www.flickr.com/photos/kimba2/sets/72157653722014784
CofC – Tilt 2 – July 12: https://www.flickr.com/photos/kimba2/sets/72157656035775272

IXITI – The Experience Engine – Interview with PG of Tilted Axes
http://www.ixiti.com/20150707447/stories/detroit-music-takes-the-stage-at-the-concert-of-colors/

DETROIT FREE PRESS – Coverage of the Concert of Colors w/ Tilted photos:
http://www.freep.com/picture-gallery/entertainment/2015/07/13/concert-of-colors-series-finale-featuring-don-was/30101333/

OAKLAND PRESS – Revue of Don Was’ All-Star Revue w/ Walk Thru Walls (members of Tilted Axes)
http://www.theoaklandpress.com/arts-and-entertainment/20150713/review-don-was-revue-electrifies-mojos-legacy-at-concert-of-colors

The adventure continues. With the completion of our this project, we are already planning the next events for the 2015-2016 in the USA and abroad.
Thanks again to everyone who made this recent work possible and a reality. Count on us moving forward and hoping to see you at our next Tilt.
We can be anywhere!

TILTED AXES: Music for Mobile Electric Guitars
Web page: http://www.tiltedaxes.com/tiltedaxes.html
Facebook fan page: https://www.facebook.com/tiltedaxes
Follow us on Twitter @tiltedaxes

Composers Concordance Festival 2012

COMPOSERS CONCORDANCE FESTIVAL 2012
January 27 – February 6, 2012, New York City & NJ

The Most Eclectic Contemporary Music Festival of the Season
Transversing genres, locales and aesthetic modes throughout NYC and beyond

Festival Website: http://composersconcordance.com/festival.php

Click here for a PDF version of the press release:

http://tinyurl.com/78nsqaz

With a 28-year history of leading-edge concert production in NYC, Composers Concordance presents The Composers Concordance Festival 2012. This will be a whirlwind of five innovative contemporary music concerts in ten days, including over 40 of NYC’s most distinctive and accomplished composers. This festival spotlights the composer in different contexts, engaging the audience and performer in the creative process, and contending with the dizzying multiplicity of styles within today’s music scene. All the while, Composers Concordance puts a premium on distinguishability, that factor by which we remember and denote individual identity – and it’s that aspect, the distinction and breadth of the composer’s message, on which we’ll chiefly focus.

The first concert, ‘Songs‘, shows the various vocal styles the composer writes songs for. From the traditional western classical soprano and baritone, to the modern pop/r&b diva, to voices of other world cultures that stretch the boundaries of notation and pitch.

The Composers Play Composers Marathon‘ shows the composer as a performer of his or her own music. A common practice in baroque, classical and romantic periods but rarer in the mid 20th century. Toward the end of the century and into the new 21st century, the art of the composer-as-performer is re-emerging, and on this marathon we hear no fewer than 27 composers interpreting their own works.

New Blues‘ asks the composer to show his or her compositional skill and voice in this very particular genre that influenced so much of the music in the 20th century. With the 100-year anniversary of the first publication of a blues piece by W.C. Handy, we look at how the 21st century composer is influenced by this style.

The development of technology was quick in the 20th century, and it inspired composers to create brand new timbres and sonorities with the possibilities electronic manipulation of sound provided. We see what the 21st century composer has to offer to progress further the art of computers, amplifiers, and circuits in the ‘Electronics‘ concert of the festival.

With the final concert: ‘Ensemble‘, we witness the composer in an ensemble setting, performing each others’ music. The ensemble in question is the Composers Concordance Ensemble (which is the ensemble-in-residence at William Paterson University), made up of the directors of comp cord as well as regular performers and composers associated with the group.

NOTE: There will be a press conference before the first performance on January 27th, at 5:30pm at The Turtle Bay Music School. Members of the press are invited to attend and learn more about the festival. RSVP: composersconcordancerecords@gmail.com

Festival Schedule:

I. SONGS
Composers Celebrate the Diversity of Song
Part of the Turtle Bay Visiting Artist Series

January 27th at 6:30pm

Turtle Bay Music School
Em Lee Concert Hall
244 East 52nd St, NYC
(212) 753-8811
http://www.tbms.org/
Admission: Free

Composers: Cody Brown, Dan Cooper, Charles Coleman, Luis Cobo, Duke Ellington/Pritsker, Milica Paranosic, Gene Pritsker, and Bob Rodriguez

Performers:  Bobby Avey, Gernot Bernroider, Cody Brown, John Clark, Charles Coleman, Dan Cooper, Mat Fieldes, Laura Kay, Taka Kigawa, Milica Paranosic, Edmundo Ramirez, Chanda Rule, Sean Satin, and Keve Wilson

II. MARATHON
The 3rd Annual Composers Play Composers Marathon
Composers Performing Their Own Music
January 29th at 7pm

DROM
85 Ave A, NYC
(212) 777-1157
http://www.dromnyc.com/
Admission: $20

Composer/Performers: Cristian Amigo, Loop B, Dan Barrett, Eve Beglarian, Svjetlana Bukvich-Nichols, Peter Breiner, David Chesky, Luis Cobo, Valerie Coleman, Dan Cooper, Jed Distler, Patrick Grant, Franz Hackl, Sara Holtzschue, Peter Jarvis, Andrew M. Lee, Peri Mauer, Daniel Palkowski, Milica Paranosic, Gene Pritsker, David Saperstein, Larry Simon, David Soldier, Rubens Salles, Eleonor Sandresky, Ezequiel Viñao, and Michael Wolff

III. NEW BLUES
Marking 100 Years of the Blues
Composers Bring the Genre into the 21st Century
Performed by The International Street Cannibals Ensemble
January 31st at 9pm

Nublu
62 Ave C, NYC
(646) 546-5206
http://www.nublu.net/
Admission: $10

Composers: Dan Barrett, John Clark, Dan Cooper, Glenn Cornett, Patrick Grant, Robert Johnson, Earl Maneein, Milica Paranosic, Gene Pritsker, and Joseph Pehrson

Performers: Dan Barrett, Lynn Bechtold, John Clark, Dan Cooper, Glenn Cornett, Glenn Cornett, Jennifer DeVore, Patrick Grant, Earl Maneein, Cesare Papetti, Milica Paranosic, Gene Pritsker, and Malik Work

IV. ELECTRONICS
Music for Electronics and Electro-Acoustic Ensemble
Composers Working with New Media
February 3rd at 8pm

Gallery MC
549 West 52nd Street, 8th Floor
(bet. 10th & 11th Ave), NYC
(212) 581-1966
http://www.gallerymc.org/h/
Admission: $10

Composers: Loop B, Lynn Bechtold, Glenn Cornett, Dan Cooper, Dinu Ghezzo, Patrick Grant, Lainie Fefferman, Franz Hackl, Mari Kimura, Daniel Palkowski, Milica Paranosic/Joel Chadabe, Gene Pritsker, and Eric Somers

Performers: Loop B, Glenn Cornett, Lynn Bechtold, Gene Pritsker, Daniel Palkowski, Lainie Fefferman, Peter Christian Hall, Mari Kimura, Milica Paranosic, and Franz Hackl

Visual projections: Carmen Kordas

V. ENSEMBLE
Composers Performing within an Ensemble
The Composers Concordance Ensemble at William Paterson University
February 6th at 7pm

William Paterson University
300 Pompton Road Wayne, NJ
(973) 720-2315
http://www.wpunj.edu/
Admission: $5

Composers: John Cage, Dan Cooper, Robert Dick, Patrick Hardish, Peter Jarvis, Otto Luening, Milica Paranosic, Joseph Pehrson, and Gene Pritsker

Performers: Dan Barrett, Lynn Bechtold, Robert Dick, Peter Jarvis, Milica Paranosic, Gene Pritsker, and Michiyo Suzuki

For press inquiries, contact Composers Concordance composersconcordancerecords@gmail.com

Complete iNFO at:
http://www.composersconcordance.com/festival.php