Tilted Axes: Reel To Real at the Ann Arbor Film Festival

Top row: Patrick Grant, Jeremy Nesse, Surar Al-Gaylani, Noel Marie Rivard
2nd row: Marco Delicato, Jeff Adams, Gael Grant, Dean Western
3rd row: Bob Kaufman, Sean Biggs, Manny Falcon, Alex Lahoski
4th row: Chris Simpson, Sarah Metivier Schadt, Rob Knevels, Mike Balavitch
Bottom row: Maggie McCabe, John Lovaas, Jocelyn Gonzales, Chris McGorey

Tilted Axes: Music for Mobile Electric Guitars is commissioned to create 

“REEL TO REAL,” a series of three musical processions celebrating

The 60th Annual Ann Arbor Film Festival

DEARBORN: The Henry Ford, 20900 Oakwood Blvd., Saturday, March 19, 12 noon – 2pm

DETROIT: The Marche Du Nain Rouge, Cass Corridor, Sunday, March 20, beginning at 1pm

ANN ARBOR: Opening Night of the Ann Arbor Film Festival, Tuesday, March 22 at 6pm, Michigan Theater

To mark the opening of the 60th Annual Ann Arbor Film Festival, the festival has commissioned a series of musical processions from Tilted Axes: Music for Mobile Electric Guitars. Tilted Axes: Reel To Real is named to mark our return to live events in 2022. The first event is a procession at The Henry Ford in conjunction with their current exhibit Apollo: When We Went To The Moon. The second is an appearance at The Marche Du Nain Rouge. The third event is the main attraction, the opening night of The Ann Arbor Film Festival. The performance will be based at The Michigan Theater and will travel around downtown as a prelude to the evening’s screenings.

Tilted Axes: Music for Mobile Electric Guitars is a group of guitarists and percussionists led by post-rock composer/performer Patrick Grant. They perform original music untethered via mini-amps strapped over their shoulders. Since their inception 10 years ago, they have created and performed numerous new music events in the USA, Europe, and Brazil. 

Tilted Axes can perform anywhere there are people, excelling in untraditional venues. Its roster of musicians can change from performance to performance, city to city. The musicians learn a common repertoire created by diverse composers and rehearse it in workshops. Its performances are free to the public and are supported through institutional and/or private donations. 

The project takes on aspects of spectacle informed by municipal band tradition, avant-garde theater, and world music. It takes music out into the world and seeks transformative situations meant to change community conversation. It is an apolitical organization, but it does support science, arts programs, and renewable energy whenever possible. Tilted Axes works best when it is part of something bigger than itself i.e. festivals, exhibitions, community initiatives, astronomical events.

* * * Go to Tilted Axes’ web site for procession details closer to the day of the events: www.tiltedaxes.com

TILTED AXES: REEL TO REAL performers electric guitars:  Jeff Adams, Mike Balavitch, Sean Biggs, Marco Delicato, Manny Falcon, Surar Al-Gaylani, Patrick Grant (music director), Bob Kaufman, Rob Knevels, Alex Lahoski, John Lovaas, Chris McGorey, Chris Simpson — bass instruments: Jeremy Nesse (chapman stick), Sarah Metivier Schadt, Dean Western (electric bass) — percussion: Noel Marie Rivard (snare leader), Maggie McCabe (high perc), Gael Grant (perc +) and more TBA — movement director: Christopher Caines — production: Jocelyn Gonzales, Melinda Faylor — performance support: Frank Pahl, Anthony Fremont, and others TBA

Tilted Axes: Music for Mobile Electric Guitars is a project of Peppergreen Media and is powered by Vox Amplification courtesy of KORG USA. We thank our performance partners The Ann Arbor Film Festival, The Henry Ford, The Marche Du Nain Rouge, Eastern Michigan University and AMP!, Detroit Guitar in Birmingham, and Grove Studios in Ypsilanti. 

#tiltedaxes — www.tiltedaxes.com — @tiltedaxes

Announcing Tilt Core 2021

AUGUST 15: an announcement from

Tilted Axes: Music for Mobile Electric Guitars

Meet the members of Tilt Core, our circle within the circle,

the driving force behind the larger events in the

2021 Tilted@10 anniversary season ahead:

Angela Babin — e. guitar

John Halo — e. guitar

Jeremy Nesse — chapman stick

jc (jon clancy) — percussion & composer

Elisa Corona Aguilar — e. guitar & composer

Howie Kenty — e. guitar, composer & asst. music director

Dan Cooper — 7-string e. bass

Patrick Grant — e. guitar, composer, & artistic director

Caitlin Cawley — percussion

Kevin Pfeiffer (not pictured) — axe alternate

Stay tuned for upcoming performance dates & other new music activities

http://www.patrickgrant.com/tiltedaxes.html

Tilted Axes is powered by Vox Amplification & Blackstar Amps courtesy of KORG USA. Our Tilted@10 anniversary season is made possible in part by the New York State Council on the Arts, the Lower Manhattan Cultural Council, The ASCAP Plus+ Awards, the NYU Tisch Adjunct Development Fund, but mostly through the generous support of people like you. Thank you for helping us keep our performances and events free to the public whenever and wherever possible.

Tilted Axes Composer Commissions

Tilted Axes: Music for Mobile Electric Guitars is gearing up for the fall season. Our 10th anniversary performances will be full of surprises. Moving forward we expand to include new musical voices with featured composers Elisa Corona Aguilar, jc (Jon Clancy), and asst. music director Howie Kenty. More details and tilted roster coming soon.

Made possible in part by the New Your State Council on the Arts, The Lower Manhattan Cultural Council, Make Music NY, KORG USA/Vox Amplification, the NYU Tisch Adjunct Development Fund, and ASCAP.

FIELDS AMAZE Gets Three Entries in the 62nd Grammy Awards®!

JDB-BGRAMMYS

http://www.strangemusic.com/famaze.html

FIELDS AMAZE & Other sTRANGE Music Gets Three Entries in the 62nd Grammy Awards®!

Official entries for your consideration…

1. Best Contemporary Instrumental Album

Fields Amaze and Other sTRANGE Music

2. Best Instrumental Composition

Keeping Still

3. Chamber Music/Small Ensemble Performance

Imaginary Horror Film – Part 2

First Round voting begins Sept. 25

Patrick Grant: piano, keyboards, electric guitars, percussion
John Ferrari: drums & percussion
Kathleen Supove & Marija Ilic: keyboards
David Simons: theremin
Keith Bonner: flute
Thomas P. Oberle: clarinet
Darryl Gregory: trombone
Martha Mooke: viola
Maxine Neumann: cello
Mark Steven Brooks: electric bass
Alexandra Montano: vocalise

All 2018 production, overdubs, revisions, and new stems recorded at Peppergreen Media, NYC and The Ferrari Factory, NJ. Mixed at Mercy Sound Studios, NYC – Garry Rindfuss: mixing engineer – Sheldon Steiger: album mastering – Patrick Grant: producer

All music © 1997-2018 Patrick Grant and published by Peppergreen Media (ASCAP). This album ℗ 2018. All rights reserved.

Tilted Axes Musicians Fund is Over 50%!

https://fundraising.fracturedatlas.org/tilted-axes-music-for-mobile-electric-guitars/campaigns/2770

July_Fund1

Tilted Axes Concert of Colors Musicians Fund at 50%!

Thank you everybody who have so far supported our upcoming 27th Annual Concert of Colorsperformances at the Michigan Science Center and the Detroit Institute of Arts. We just crossed the 50% mark toward our goal of $4500. Your tax-deductible support goes toward our dozen and a half musicians for their time and talent, the cost of our rehersal space, cartage, ads, and other essentials that enables us to bring our performances free of cost to the public.

The festival itself and our partner museums provide excellent opportunities for the group to offer transformative experiences that are free of charge to the Detroit community. Still, Tilted Axes is entirely self-funded and relies on your generous support to pay for its musicians, rehearsal space, and other administrative costs. Please consider joining our team and contribute to Detroit’s musical history!

 This month will see the completion of a particular project that has long been a dream of mine: music for live ensemble in a planetarium. The idea is to engage the public in science through music and art. Thanks to the 27th Annual Concert of Colors, the Michigan Science Center, and the Detroit Institute of Arts, I’ve had the opportunity to develop new music for Tilted Axes: Music for Mobile Electric Guitars that commemorates the 50th anniversary of Apollo 11’s lunar landing in a work titled, “MOONWALK.” My aim is to take this newly developed piece and similar work to other planetariums across the country in the months and years to come. 

 By becoming a co-producer of our event, you are eligible for all kinds of awards like CDs, T-Shirts, etc.

Go to: https://fundraising.fracturedatlas.org/tilted-axes-music-for-mobile-electric-guitars/campaigns/2770

*  *  *  *  *  *  *

Meet the performers and producers of Tilted Axes Detroit: Concert of Colors HERE

TAD_CoC_Roster2_600

Tilted Axes is…

With the project is in its ninth year, its surprising to hear when some people find it unclear what Tilted Axes is or is not. Here’s a short list of 10 things that was created to point people in the right direction. Pardon the third person…

1. Tilted Axes is a musical project created by composer Patrick Grant.

2. Tilted Axes is a procession of electric guitarists who wear mini-amps.

3. Tilted Axes can perform anywhere there are people, excelling in untraditional venues.

4. Tilted Axes’ roster of musicians can change from performance to performance, city to city.

5. Tilted Axes’ musicians learn a common repertoire created by PG and rehearse it in workshops.

6. Tilted Axes performances are free to the public and are supported through institutional and/or private donations.

7. Tilted Axes takes on aspects of spectacle informed by municipal band tradition, avant-garde theater, and world music.

8. Tilted Axes takes music out into the world and seeks transformative projects meant to change community conversation.

9. Tilted Axes is an apolitical organization, but it does support science, arts programs, and renewable energy whenever possible.

10. Tilted Axes works best when it is part of something bigger than itself i.e. festivals, exhibitions, community initiatives, astronomical events.

TA10

Every little will help create a new musical work that will resonate for a long time.

Thank you all for your time and consideration,
Patrick Grant & Tilted Axes: Music for Mobile Electric Guitars

Joseph Keckler’s “I Am an Opera” Opens at Dixon Place

JK-ASCAP

A highly subjective musical take on what it means not only to write an opera, but to encompass and even embody one in the modern age of internet witnessed its world premiere launching on April 5th at Dixon Place, New York City’s “Laboratory for Performance.” Written, composed and performed by ASCAP member Joseph Keckler, this conceptual tour-de-force also provided a vehicle for fellow ASCAP member Patrick Grant, collaborating as music producer, with violin arrangements added to the artistic mix by Dan Bartfield. Directed by Uwe Mengel, this highly operatic exposure of Keckler’s inner subconscious, transparent at its most ridiculous and sublime, is propelled through a multi-media series of phantasmagoric tableaux with many an unexpected turn. “I Am an Opera” steadily escalates with its unspoken pronouncement that life, especially at its most primal and personal, is supreme artistic game. Performances will take place on Friday and Saturday evenings throughout the month of April.

http://www.ascap.com/Playback/2013/04/faces-places/concert/joseph-kecklers-i-am-an-opera-opens-at-dixon-place.aspx

Composers Concordance Festival 2012

COMPOSERS CONCORDANCE FESTIVAL 2012
January 27 – February 6, 2012, New York City & NJ

The Most Eclectic Contemporary Music Festival of the Season
Transversing genres, locales and aesthetic modes throughout NYC and beyond

Festival Website: http://composersconcordance.com/festival.php

Click here for a PDF version of the press release:

http://tinyurl.com/78nsqaz

With a 28-year history of leading-edge concert production in NYC, Composers Concordance presents The Composers Concordance Festival 2012. This will be a whirlwind of five innovative contemporary music concerts in ten days, including over 40 of NYC’s most distinctive and accomplished composers. This festival spotlights the composer in different contexts, engaging the audience and performer in the creative process, and contending with the dizzying multiplicity of styles within today’s music scene. All the while, Composers Concordance puts a premium on distinguishability, that factor by which we remember and denote individual identity – and it’s that aspect, the distinction and breadth of the composer’s message, on which we’ll chiefly focus.

The first concert, ‘Songs‘, shows the various vocal styles the composer writes songs for. From the traditional western classical soprano and baritone, to the modern pop/r&b diva, to voices of other world cultures that stretch the boundaries of notation and pitch.

The Composers Play Composers Marathon‘ shows the composer as a performer of his or her own music. A common practice in baroque, classical and romantic periods but rarer in the mid 20th century. Toward the end of the century and into the new 21st century, the art of the composer-as-performer is re-emerging, and on this marathon we hear no fewer than 27 composers interpreting their own works.

New Blues‘ asks the composer to show his or her compositional skill and voice in this very particular genre that influenced so much of the music in the 20th century. With the 100-year anniversary of the first publication of a blues piece by W.C. Handy, we look at how the 21st century composer is influenced by this style.

The development of technology was quick in the 20th century, and it inspired composers to create brand new timbres and sonorities with the possibilities electronic manipulation of sound provided. We see what the 21st century composer has to offer to progress further the art of computers, amplifiers, and circuits in the ‘Electronics‘ concert of the festival.

With the final concert: ‘Ensemble‘, we witness the composer in an ensemble setting, performing each others’ music. The ensemble in question is the Composers Concordance Ensemble (which is the ensemble-in-residence at William Paterson University), made up of the directors of comp cord as well as regular performers and composers associated with the group.

NOTE: There will be a press conference before the first performance on January 27th, at 5:30pm at The Turtle Bay Music School. Members of the press are invited to attend and learn more about the festival. RSVP: composersconcordancerecords@gmail.com

Festival Schedule:

I. SONGS
Composers Celebrate the Diversity of Song
Part of the Turtle Bay Visiting Artist Series

January 27th at 6:30pm

Turtle Bay Music School
Em Lee Concert Hall
244 East 52nd St, NYC
(212) 753-8811
http://www.tbms.org/
Admission: Free

Composers: Cody Brown, Dan Cooper, Charles Coleman, Luis Cobo, Duke Ellington/Pritsker, Milica Paranosic, Gene Pritsker, and Bob Rodriguez

Performers:  Bobby Avey, Gernot Bernroider, Cody Brown, John Clark, Charles Coleman, Dan Cooper, Mat Fieldes, Laura Kay, Taka Kigawa, Milica Paranosic, Edmundo Ramirez, Chanda Rule, Sean Satin, and Keve Wilson

II. MARATHON
The 3rd Annual Composers Play Composers Marathon
Composers Performing Their Own Music
January 29th at 7pm

DROM
85 Ave A, NYC
(212) 777-1157
http://www.dromnyc.com/
Admission: $20

Composer/Performers: Cristian Amigo, Loop B, Dan Barrett, Eve Beglarian, Svjetlana Bukvich-Nichols, Peter Breiner, David Chesky, Luis Cobo, Valerie Coleman, Dan Cooper, Jed Distler, Patrick Grant, Franz Hackl, Sara Holtzschue, Peter Jarvis, Andrew M. Lee, Peri Mauer, Daniel Palkowski, Milica Paranosic, Gene Pritsker, David Saperstein, Larry Simon, David Soldier, Rubens Salles, Eleonor Sandresky, Ezequiel Viñao, and Michael Wolff

III. NEW BLUES
Marking 100 Years of the Blues
Composers Bring the Genre into the 21st Century
Performed by The International Street Cannibals Ensemble
January 31st at 9pm

Nublu
62 Ave C, NYC
(646) 546-5206
http://www.nublu.net/
Admission: $10

Composers: Dan Barrett, John Clark, Dan Cooper, Glenn Cornett, Patrick Grant, Robert Johnson, Earl Maneein, Milica Paranosic, Gene Pritsker, and Joseph Pehrson

Performers: Dan Barrett, Lynn Bechtold, John Clark, Dan Cooper, Glenn Cornett, Glenn Cornett, Jennifer DeVore, Patrick Grant, Earl Maneein, Cesare Papetti, Milica Paranosic, Gene Pritsker, and Malik Work

IV. ELECTRONICS
Music for Electronics and Electro-Acoustic Ensemble
Composers Working with New Media
February 3rd at 8pm

Gallery MC
549 West 52nd Street, 8th Floor
(bet. 10th & 11th Ave), NYC
(212) 581-1966
http://www.gallerymc.org/h/
Admission: $10

Composers: Loop B, Lynn Bechtold, Glenn Cornett, Dan Cooper, Dinu Ghezzo, Patrick Grant, Lainie Fefferman, Franz Hackl, Mari Kimura, Daniel Palkowski, Milica Paranosic/Joel Chadabe, Gene Pritsker, and Eric Somers

Performers: Loop B, Glenn Cornett, Lynn Bechtold, Gene Pritsker, Daniel Palkowski, Lainie Fefferman, Peter Christian Hall, Mari Kimura, Milica Paranosic, and Franz Hackl

Visual projections: Carmen Kordas

V. ENSEMBLE
Composers Performing within an Ensemble
The Composers Concordance Ensemble at William Paterson University
February 6th at 7pm

William Paterson University
300 Pompton Road Wayne, NJ
(973) 720-2315
http://www.wpunj.edu/
Admission: $5

Composers: John Cage, Dan Cooper, Robert Dick, Patrick Hardish, Peter Jarvis, Otto Luening, Milica Paranosic, Joseph Pehrson, and Gene Pritsker

Performers: Dan Barrett, Lynn Bechtold, Robert Dick, Peter Jarvis, Milica Paranosic, Gene Pritsker, and Michiyo Suzuki

For press inquiries, contact Composers Concordance composersconcordancerecords@gmail.com

Complete iNFO at:
http://www.composersconcordance.com/festival.php