International sTRANGE mUSIC Day 2014


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International sTRANGE mUSIC Day 2014 Performance Soiree
Sunday, August 24th @ SPECTRUM, 121 Ludlow St., NYC

Tickets $15 – Doors open at 6:30 pm with trouble to begin at 7:00 pm

Web site: http://www.strangemusic.com/ISMD2014.html

PDF Press Release

NEWSFLASH: All attendees of the INTERNATIONAL STRANGE MUSIC DAY performance at Spectrum NYC on Aug. 24th are eligible to enter our FREE raffle. The Grand Prize? A single ticket to the KING CRIMSON concert on Sept. 21st in NYC, Orchestra Center, Row GG, Seat 101. Why only one ticket? Out of sympathy for the poor date that always gets dragged along. We’re showing some mercy.

AUGUST 24th is International sTRANGE mUSIC Day. It’s a real holiday, yes it is. To celebrate, some of the NYC area’s best and brightest composers and performers are getting together to have a very unserious session of music making. This as an opportunity to for them to share unusual sounds, unusual instrumentation, and unusual compositions rarely heard or new ones that will never be heard from again.

For the 2014 celebration, creator Patrick Grant/Peppergreen Media partners up once again with NYC’s Lower East Side high-tech chamber-salon Spectrum NYC where the 2012 event was held. This is the perfect venue for such an event since its capabilities will enable strange musicians and performers of all stripes to push the envelope into uncharted territory.

Celebration in São Paulo: Making this a truly international event, there will be a Strange Music Day sister spectacle taking place at exactly the same time at the Paco Das Artes in São Paulo, Brazil presented by the Orchestra Descarrego. More iNFO via their Facebook event page HERE.

A SPLENDID ORCHESTRA
is in town, but has not been engaged

MAGNIFICENT FIREWORKS
were in contemplation for this occasion, but the idea has been abandoned

A GRAND TORCHLIGHT PROCESSION
may be expected; in fact, the public are privileged to expect whatever they please.

NYC PERFORMERS TO INCLUDE…

Cristian Amigo & Angela Babin

Guitarists Angela Babin and Cristian Amigo perform Empty Form Duo #5, a piece based on the non-dualistic idea of form/emptiness. Babin was a founding mother of the band The Ordinaires who received critical acclaim in the 80s in the Downtown NY music scene. She met Amigo (Guggenheim Fellow, guitarist, and songwriter) while playing Elliott Sharp’s Syndakit. During an extended wait for the subway they formed their collaboration for the Gotham Roots Orchestra via a mutual appreciation for the blues. They will keep it sTRANGE.

Lynn Bechtold

Violinist/composer Lynn Bechtold has appeared in recital throughout NA and Europe, and has premiered works by composers including Gloria Coates, George Crumb, John Harbison, Alvin Lucier, and Morton Subotnick. She is a member of groups including Zentripetal Duo, Bleecker StQ, Miolina, and SEM, and her performances have been broadcast on various TV/radio, including WNYC, 30 Rock, CBS Morning Show, and Good Day NY. She has appeared at venues from Lincoln Center and Carnegie Hall to LPR and Joe’s Pub. Her electroacoustic compositions have been performed on festivals such as the Composers Concordance Festival and Kathleen Supove’s Music With A View.

Jason Belcher

Jason Belcher is a composer & multi-instrumentalist who studied at the New England Conservatory in Boston. He led several performance projects as a student, including a revival of music by Burr Van Nostrand, a composer whose most adventurous scores went unheard for 42 years. As a result of this project, a disc of Burr’s work was released by New World Records in 2013. Belcher currently lives and works in New York, where he is active in projects with other young improvisers.

Tom Burnett

Chime’s Swing Number 89, inspired by a set of chimes given to Tom Burnett in 1989 by the late performer and artist Winchester Chimes, is part of a continuing series of performances dating back to 1989. This performance is coincidentally the eight-ninth. Other venues have included the Bardavon Theatre, Joe’s Pub, the Kitchen, the occasional rock quarry, church, and the Canal Street subway station.

Ken Butler

Ken Butler is an artist and musician whose Hybrid musical instruments, performances, and installations explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. He has performed and exhibited throughout the USA, Canada, and Europe including The Stedelijk Museum, The Prada Foundation in Venice, Mass MoCA, The Kitchen, The Brooklyn Museum, The Queens Museum, Lincoln Center, and The Metropolitan Museum as well as in South America and Asia. Butler has been reviewed in The NY Times, The Village Voice, Artforum, Smithsonian, and Sculpture Magazine and has been featured on PBS, CNN, MTV, and NBC’s The Tonight Show.

Constance Cooper

Constance Cooper improvises instrumentally and vocally, in concert —today, Solo With Stadium Blanket — and for theater, using two keyboards tuned a quartertone apart. She belongs to ArtStar, which includes live painting and audience drawing, and to the women’s a cappella acoustic trio Arc Welding. Some years ago she designed an improvisation work for the cellist Ernst Reijseger, who began the performance, then stood up, walked around while playing, and then deliberately got entangled with the branches of a large potted plant. He later said that he had always wanted to be a tree.

Glenn Cornett

Glenn Cornett runs Spectrum NYC, the performance venue/gallery on Manhattan’s Lower East Side that supports innovation and virtuosity in the arts. He is a composer/performer, playing guitar, keyboards, electronics, etc. Founder of two biotechnology companies – Pastorus (autism, other CNS disorders) and Navitas (cardiovascular, metabolic diseases). He has worked at McKinsey and Eli Lilly. Education: MD with Distinction in Research from the University of Michigan; PhD in neuroscience from UCLA, dissertation on human deep-brain responses to musical stimuli. He has a black belt in karate and has run nine marathons, including Istanbul in November 2013.

GangBhang

GangBhang is a collective of inattentive plus ultra performers from different “walks” of life that include secular and non-secular attitudes and fashions. This time presents a very exciting, but hopefully boring, performance with the very devices that (usually) break our connection with the real world. The performers are Balldie on iPhone, Mojas on Maschine, and Preachermac on iPad.


portrait by Ted Berkowitz

Patrick Grant

Patrick Grant creates musical works that are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and amplified instruments. He is the creator of International Strange Music Day (August 24) and the creator/pioneer of the electric guitar procession Tilted Axes.

Amy & Alex Hamlin

Amy & Alex Hamlin are a husband and wife team who enjoy their cats, Walter & Boris, their garden, & traveling to exotic places. They are the founders of the 7-piece soul/rock band Amy Lynn & The Gunshow. The duo is enjoying experimenting more with voice and baritone sax with the music from The Gunshow. Together and apart they have played all over the country with acts such as Yo La Tengo, St. Vincent, Beth Hart, Duffy, The National, Spoon, and Red Barrat.

Niloufar Nourbakhsh

Niloufar Nourbakhsh started learning piano at the age of nine at Sarang Institute of Music located in Karaj, Iran. At the age of fifteen, she won the 2nd Prize of Iran’s National Piano Biennale Competition and performed at Tehran’s Roudaki Concert Hall twice as a participant of The Music Festival from Classical to Modern. She is a music and math graduate of Goucher College and Oxford University. She has participated in numerous music festivals as a pianist and a composer such as New Paltz Piano Summer, Atlantic Music Festival, and the Rhymes with Opera Workshop. She is currently working at Brooklyn Music School Summer Institute as a teaching artist.

Lorin Roser

Lorin Roser is a multimedia artist fascinated with the expression of mathematics. He utilizes algorithms in his musical compositions and physical simulations in his 3D animations. Recent music is created with realtime manipulation of polynomials. This work began in the 80s and was ported to Reaktor in 2004. The realtime was not possible until recent advances in computing. As a musician, Roser has performed at CBGB’s, Bowery Poetry Club, the Emily Harvey Foundation with Larry Litt, White Box with Elliott Sharp, and events for curator/performance artist A. Schloss.

Zero Boy

Zero Boy is an East Village icon who uses a unique blend of sound and mime, the results being something akin to a performed comic book. He can be seen on the upcoming Nickelodeon show Alien Dawn as the evil Dr. Drago. He appeared Off-Broadway in the Yllana Production of ‘666’, and has performed regularly on NPR’s The Next Big Thing in a special “Stump Zero Boy” segment. He has been seen on the Fox and Friends, Good Day New York and MTV.

“In 1999 I declared August 24th randomly as Strange Music Day. It gave me an opportunity to come up with a cool graphic and drive home a point that I still believe in to this day: it is always good to listen and play music that we are unfamiliar with. It keeps our ears and outlook fresh. Around 2002, I started noticing that various summer schools were picking up on it as an actual holiday….Once I started seeing postings coming from Europe, I changed the name to International Strange Music Day. It’s just been getting bigger every year….” – Patrick Grant

“Recently I’ve been taking it a step further and we had the first International Strange Music Day Performance Soiree in 2012. I asked the New York new music community to submit their ideas and apply for spots on the concert. I wanted to see a lot of new music notables perform music that they were not usually associated with, to be willing to explore uncomfortable places, to reveal their guilty pleasures and hidden parlor tricks to the public. It was a blast! It was just one those things that came together and happened so well. I and everybody involved are already looking forward to raising the bar for the next event. You have been warned!” – International sTRANGE mUSIC Day creator, Patrick Grant, Exploring the Metropolis

“International Strange Music Day was created by Patrick Grant, a New York City musician. The premise is simple: to get people to play and listen to types of music they have never experienced before. The ‘strange’ part can mean either unfamiliar or bizarre – the choice is entirely yours. Patrick believes broadening people’s musical spectrums can also change the way we look at other aspects of life – his mantra is ‘listening without prejudice’. This growing movement has concerts, a record label and strong support from summer schools, where it is appreciated as a great way to stimulate young minds. Have you ever wanted to combine a tight Wonder Woman costume, a frozen turkey drumstick and an inflatable wildebeest into a percussion concert? International Strange Music Day gives you the perfect excuse. What you do with these items once the music stops, of course, is your business… “ – Days of the Year

www.peppergreenmedia.com

Tilted Axes: Detroit (313) – Media Coverage

www.peppergreenmedia.com

TILTED AXES: DETROIT (313)
Media Coverage


Tilted Axes: Detroit (313) at Comerica Park, July 19, 2014

GOOGLE VIDEO: Created automatically via Google+
http://www.peppergreenmedia.com/TAD313-Google.mp4

PRINT: Metro Times Featurette – by Michael Jackman – July 16, 2014
http://photos.metrotimes.com/14-things-to-do-in-metro-detroit-this-week-july-16-22/#14

RADIO: Interview on WJR – by Frank Beckmann – July 18, 2014
http://www.peppergreenmedia.com/Tilted-WJR.mp3
http://www.wjr.com/common/page.php?pt=On+Air+-+Frank+Beckmann&id=821&is_corp=0#

RADIO: Interview on WKAR – by Peter Whorf – July 18, 2014
http://www.peppergreenmedia.com/Tilted-WKAR.mp3
http://cpa.ds.npr.org/wkar/audio/2014/07/cs140718c.mp3

PHOTOS: Tilted Axes @ United Sound Systems – photos by Jocelyn Gonzales – July 18, 2014
https://www.flickr.com/photos/kimba2/sets/72157645365675399/

VIDEO: Tilted Axes @ United Sound Systems – GoPro by Frank Pahl – July 18, 2014
http://www.peppergreenmedia.com/Frank-Pahl-GoPro.mp4

PHOTOS: Tilted Axes: Detroit (313) – photos by Jocelyn Gonzales – July 19, 2014
https://www.flickr.com/photos/kimba2/sets/72157645754716226/

PHOTOS: Tilted Axes: Detroit (313) – photos by Oscar Zelaya – July 19, 2014
http://s47.photobucket.com/user/ozcarr0812/library/TILED%20AXES%20DETROIT%20313?sort=3&page=1

PHOTOS: Tilted Axes: Detroit (313) – photos by Maggie McCabe – July 19, 2014
https://www.flickr.com/photos/125625897@N02/sets/72157645491615560/

TELEVISION: Fox 2 Detroit Television Promo – by Charlie Langton – July 19, 2014
http://www.peppergreenmedia.com/Tilted-TV.mp4
http://www.myfoxdetroit.com/story/26033905/celebrate-detroits-313th-anniversary

Complete project info here:
http://peppergreenmedia.com/2014Tilted313.html

TILTED AXES Promotional Video

TILTED AXES
Music for Mobile Electric Guitars

MAKE MUSIC WINTER
December 21, 2013
New York City
3pm-5pm

Part 3 of our Tilted Trilogy in NYC:
The Alamo’s Last Stand

“Composer and producer Patrick Grant creates and leads a procession with dozens of electric guitarists through the East Village, with a special stop at The Alamo, the iconic Astor Place sculpture commonly referred to as The Cube. In 2014, The Alamo will be moved from its current location to another part of the plaza. To observe this occurrence, Grant introduces new repertoire that evokes the iconic guitar music that has scored sub-genre Wild West cinema. The event will be a moving, polyphonic sound cloud layered in compelling, electric rhythms to honor the season’s axial tilt.” – from the Make Music Winter Tilted Axes page

Patrick Grant Interview in I CARE IF YOU LISTEN

http://www.icareifyoulisten.com/magazine/

The first of its kind

I CARE IF YOU LISTEN Magazine is the first Apple Newsstand magazine to focus exclusively on contemporary classical music, music technology, and the arts. After two years of existence, the New York based indie-blog-turned-magazine is now available on the AppStore as a free app for iOS devices (iPad, iPhone, and iPod Touch). The content is available on a subscription basis for US$2.99 for two months after a seven-day free trial.

Issues are bi-monthly, and subscribers have access to all back issues.

Tilted Axes NYC 2013: The Alamo’s Last Stand

TILTED AXES
Music for Mobile Electric Guitars

MAKE MUSIC WINTER
December 21, 2013
New York City
3pm-5pm

Part 3 of our Tilted Trilogy in NYC: The Alamo’s Last Stand

Applications are now being accepted HERE
The General Deadline to apply is Nov. 22nd

“Composer and producer Patrick Grant creates and leads a procession with dozens of electric guitarists through the East Village, with a special stop at The Alamo, the iconic Astor Place sculpture commonly referred to as The Cube. In 2014, The Alamo will be moved from its current location to another part of the plaza. To observe this occurrence, Grant introduces new repertoire that evokes the iconic guitar music that has scored sub-genre Wild West cinema. The event will be a moving, polyphonic sound cloud layered in compelling, electric rhythms to honor the season’s axial tilt.” – from the Make Music Winter Tilted Axes page

Produced by Peppergreen Media and made possible through the help and support of our sponsors and partners Make Music New York, Spectrum NYC, Discover Guitar, D’Addario Strings, The Music Building, Strings by Aurora, and Composers Concordance

On December 21st, 2013, in celebration of the first day of winter, TILTED AXES: Music for Mobile Electric Guitars will give its 3rd annual procession as part of Make Music Winter. The event features dozens of electric guitarists powered by portable mini-amps and accompanied by percussion that results in a moving, polyphonic sound cloud layered in compelling, electric rhythms to honor this season’s axial tilt. The procession will begin and end at event sponsor Spectrum NYC‘s location at 121 Ludlow Street, wind its way up through the East Village to Union Square, and then back again with a special stop at the iconic sculpture The Alamo (aka the Astor Place Cube). The procession route is shown in detail in the map at the bottom of this page. The event runs from 3-5pm and is FREE and open to all.

Created and produced by composer and performer Patrick Grant in 2011, TILTED AXES is an event designed to pull together players of varying abilities in an edgy yet harmonious whole in which there is a musical role for everybody. The performers will be led by a Tilted Core of a dozen veterans from previous processions with whom the new participants can work and learn from closely. The new participants will be assigned mini-amps which they get to keep after the event. All that is required is a guitar, a strap, a pick, and your presence.

Rehearsals are necessary and players are required to attend at least one workshop and to be present the day of the event.
With the addition of new sponsor Discover Guitar, the event is also open to acoustic guitars that are equipped with built-in pick-ups since they will be playing through mini-amps as well. The event is open to players 16 years of age or older.

TILTED AXES is open to any guitar players who
:
1. Have the ability to read tablature (reading traditional notation is a plus, but not a requirement)
2. Are willing to work as part of an ensemble (though individual improvisation within a pattern could be needed)
3. Not a “shredder”? Not a problem. There’s a part for you in this too.

The musical content of the event consists of a number of processional themes and musical games that the ensemble will have memorized by the day of the event. PDFs and MP3s of the material will be made available weeks prior to the first rehearsal.

There will be a simple application process beginning October 21st since mini-amps, batteries, and space in the procession has to supplied for all players. To be a part, interested musicians will be asked to go to the following page and apply: http://www.peppergreenmedia.com/2013TiltedNYCapps.html

======================================================

TILTED AXES: Music for Mobile Electric Guitars is powered by:

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2013 SCHEDULE

1. Workshop 1 – Saturday, December 7, 12 noon to 3pm
at Spectrum NYC, 121 Ludlow Street, 2nd floor, NYC

2. Workshop 2 – Saturday, December 14, 12 noon to 3pm
at Spectrum NYC, 121 Ludlow Street, 2nd floor, NYC

3. Workshop 3 & Dress Rehearsal – Saturday, December 21, 12 noon to 3pm
at Spectrum NYC, 121 Ludlow Street, 2nd floor, NYC

4. TILTED AXES NYC 2013 – Procession from 3-5pm
with food and refreshments for the musicians afterwards at Spectrum NYC

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* Please note these 2 additional workshops at The Music Building if it’s to your convenience

* Music Building Workshop – Wednesday, December 11, 6:30 to 9:30pm
584 Eighth Ave. (btwn 38th & 39th Sts.), Community Room 505

* Music Building Workshop – Wednesday, December 18, 6:30 to 9:30pm
584 Eighth Ave. (btwn 38th & 39th Sts.), Community Room 505

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AFTER THE EVENT: Psychedelic Psolstice Pselebration – 6:30pm until…

This will be the official after-party at Spectrum NYC and will be open to the public. This event is entirely optional for all Tilted Axes participants but we are invited to perform some selections from our repertoire indoors to kick it off after our break. Also on the this program will be performances by various configurations of the members of the Tilted Core with their own ensembles and other musical guests. Members from other Make Music Winter events will also be invited to perform.

More details to be announced soon.

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TILTED AXES NYC 2013 Procession Map

www.peppergreenmedia.com

Recap & Thanks – (Int’l) STRANGE MUSIC DAY 2013

ISMD-Recap

Great stuff, People of Earth. You know, despite my personal FB postings, most of these yearly events exist because folks find it a worthy, albeit whimsical cause, and run with it. Whimsical? Maybe. I do think that anything we can do to get ourselves to pause and reflect is substantial. As a musician, that was my entry point: listen to something unusual, with attention, that just might not only broaden your ears, but also your outlook in general. Everything being relative, it is always interesting how this is interpreted in different cities, different countries, different cultures. We’re always surprised.

For me personally, this year’s standouts were the radio shows that dedicated programs to the day: Justin H. Brierley’s Music for Internets in Rhode Island, Joel Krutt’s Pushing the Envelope in Connecticutt, and Radio Mongaguá in São Paulo, Brazil, among many others. Live performances took place. In NYC, Glenn Cornett’s Spectrum NYC had an afternoon of exceptional strange-makers playing music for the event.

There was even a number of original songs composed for the day thanks to the 50/90 Challenge.

The strangest surprise was when McDonald’s restaurants seized upon the opportunity in sending out a Strange Music Day tweet to promote their product. That gave me mixed feelings but, after a posting of Devo’s Too Much Paranoias, I rationalized to an astute friend, “I’ll make an exception for the 1.5 million Twitter followers who were encouraged to stretch their ears (not just their stomachs) for today.”

Still, and always, the biggest pleasure was knowing, from afar, that there is the growing number of summer schools that took the opportunity to make music with children, to create instruments, to pause and reflect upon what it means to listen without prejudice and see where that takes one (New Delhi, India, Japan, Germany, and Ireland especially). It is satisfying to know that in the end, a future of good music will be assured for the rest of us as the talents of these children develop.

That said, and this is me now, I give a big shout out to David Soldier with Komar and Melamid’s piece The Most Unwanted Song that I heard today on Joel Krutt’s radio show. It is a piece that, through empirical scientific investigation, was created to afflict us in every worst way possible. The result is one of the funniest pieces, intelligently so, that I’ve ever heard.

So, it’s a two way street: you have all turned me onto so many new sounds and to new ways of thinking about what music can be, that I can never thank you enough. I know many people the world over (and the emails are still pouring in like crazy) feel the same.

Until next year. Thank you!

-Patrick Grant

www.strangemusic.com

International Strange Music Day, August 24, 2013

International Strange Music Day, August 24, 2013
this year dedicated to children (young and old)

ISMD-kid2

Greetings People of Earth,

It’s been 15 years since I first flew the Strange Music banner during our inaugural concert at the Knitting Factory in New York City. Since then, ‘Strange Music’ has become many things: a record label, concert series, a social irritant, but most famously, a day to stretch one’s ears by either listening to or playing music that is new to you. It’s all relative.

Since this holiday observance came into existence during an otherwise holiday-less month, it’s actually been picked up by a number of small organizations around the world: a blog here and there, a growing throng of adventurous radio stations, but mostly by a number of summer school programs searching for a creative way to occupy idle hands and ears. An internet search will turn up pages and pages of such schools.

I urge you to spend a moment with your young ones and blow their little minds with something exceptionally challenging to listen to, especially if you do not normally do so. If there are some instruments around, make up a song for the day. If not, make an instrument from stuff you have in the house.

A small gesture such as this would provide memories lasting a lifetime. The evidence of the benefits of engaging children in music has filled volumes. No reason to keep it simple: the stranger the better. Young ears have no prejudice.

You say that you DON’T have any kids around? Then do it for yourself. It will keep YOU young. Really.

Patrick Grant
http://www.strangemusic.com/

WIKIPEDIA

===end of transmission===

“Victory Over the Sun” (1913) – The World’s First Futurist Opera

Image

A lot has been said of “The Rite of Spring” in this, its centenary year, and rightfully so. However, there’s still much to be said for “Victory Over the Sun,” the world’s first futurist opera which also premiered in 1913. Close to all of the music by Mikhail Matyushin has been lost yet the it remains in our cultural memory due to the stage designs of Kazimir Malevich and the text by Aleksei Kruchenykh. The opera was intended to underline parallels between literary text, musical score, and the art of painting, and featured a cast of such extravagant characters as Nero and Caligula in the Same Person, Traveller through All the Ages, Telephone Talker, The New Ones, etc.

This work was brought to my attention in 2002 by Robert Wilson when I had the great pleasure of working with the extraordinary Andrey Bartenev and other artists at the annual Watermill Center Benefit. I wouldn’y say that it influenced our work, “The Ladder of Red” (2002), but Bob certainly set us in a correct place as far as lineage goes.

THE LADDER OF RED @ Robert Wilson’s Watermill Center

I hope that, before this year is out, that “Victory Over the Sun” also gets the recognition that it deserves as a significant precursor of 20th century performance art and beyond.

Joseph Keckler’s “I Am an Opera” Opens at Dixon Place

JK-ASCAP

A highly subjective musical take on what it means not only to write an opera, but to encompass and even embody one in the modern age of internet witnessed its world premiere launching on April 5th at Dixon Place, New York City’s “Laboratory for Performance.” Written, composed and performed by ASCAP member Joseph Keckler, this conceptual tour-de-force also provided a vehicle for fellow ASCAP member Patrick Grant, collaborating as music producer, with violin arrangements added to the artistic mix by Dan Bartfield. Directed by Uwe Mengel, this highly operatic exposure of Keckler’s inner subconscious, transparent at its most ridiculous and sublime, is propelled through a multi-media series of phantasmagoric tableaux with many an unexpected turn. “I Am an Opera” steadily escalates with its unspoken pronouncement that life, especially at its most primal and personal, is supreme artistic game. Performances will take place on Friday and Saturday evenings throughout the month of April.

http://www.ascap.com/Playback/2013/04/faces-places/concert/joseph-kecklers-i-am-an-opera-opens-at-dixon-place.aspx

TILTED EXCESS – Mobile Guitars in the Media

Tilted Axes Detroit: Music for Mobile Electric Guitars
Procession for the First Day of Spring, March 20, 2013
Media Coverage

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DETROIT FREE PRESS
Names & Faceshttp://tinyurl.com/bppvt4a
Videohttp://www.freep.com/videonetwork000000000004000400/2240869511001/Tilted-Axes-Detroit

FLICKR
Photo set – http://www.flickr.com/photos/kimba2/sets/72157633053138413/with/8579059316/

INSTAGRAM
http://statigr.am/tag/tiltedaxes

METRO TIMES
Cover storyhttp://metrotimes.com/covers/rocking-in-the-streets-1.1457524

Follow-uphttp://blogs.metrotimes.com/index.php/2013/03/tilted-axes-detroit-brings-it-home/

M-LIVE
B&W photo essayhttp://photos.mlive.com/mlivecom_photo_essays/2013/03/tilted_axes_detroit_music_for.html

POSITIVE DETROIT
Eventshttp://www.positivedetroit.net/2013/03/this-will-be-happening-between-1230-200.html

TWITTER
https://twitter.com/search?q=tilted%20axes&src=typd

VIMEO
http://vimeo.com/62288481

WDET
Eventshttp://wdet.org/events/208/tilted-axes-detroit/

Ann Delisi’s Essential Musichttp://www.peppergreenmedia.com/TAD-Delisi.mp3
Craig Fahle Showhttp://www.wdet.org/shows/craig-fahle-show/episode/tilted-axes-brings-strolling-guitars/

WKAR
Current State interviewhttp://wkar.org/post/detroit-parade-shredding-electric-guitars-ushers-spring

YOUTUBE
http://www.youtube.com/watch?v=ECzmeOcj4Ok

http://www.youtube.com/watch?v=o8apJoLsPFM
http://www.youtube.com/watch?v=y7iitLAjZaQ

XTRA
A blog in Belgiumhttp://blog.kollector.com/blog/i-hated-guitars

A blog in Michiganhttp://nancynall.com/2013/03/21/marching-guitars/